<?xml version="1.0" encoding="utf-8"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:activity="http://activitystrea.ms/spec/1.0/" xmlns:media="http://search.yahoo.com/mrss/" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Newsvine - art</title><link>http://www.newsvine.com/art</link><description>Newsvine - art</description><language>en-us</language><copyright>Copyright 2013</copyright><lastBuildDate>Tue, 9 Apr 2013 21:56:07 +0000</lastBuildDate><pubDate>Sat, 25 May 2013 02:09:59 +0000</pubDate><generator>http://www.newsvine.com</generator><docs>http://blogs.law.harvard.edu/tech/rss</docs><item><title>Art exhibit pushes boundaries of online privacy</title>
<description><![CDATA[Image after image splashes on the wall of the art exhibit &#8212; a snapshot of young people laughing and drinking, a picture of an elephant, an exposed belly of a woman barely covering her breasts with one arm. The photos were taken from their computers without their knowledge through a technological glitch.]]></description>
<dc:creator><![CDATA[Barbara Ortutay]]></dc:creator><source><![CDATA[Barbara Ortutay]]></source><link>http://www.newsvine.com/_news/2013/04/09/17673086-art-exhibit-pushes-boundaries-of-online-privacy</link><guid>http://www.newsvine.com/_news/2013/04/09/17673086-art-exhibit-pushes-boundaries-of-online-privacy</guid><category>technology</category><category>us</category><category>art</category><category>privacy</category><category>as</category><category>tec</category><category>online-privacy</category><pubDate>Tue, 9 Apr 2013 17:15:06 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=49a0974b-ad13-4633-8b46-be6c63da0dfd.jpg&amp;width=400" type="image/jpeg" medium="image" height="272" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=49a0974b-ad13-4633-8b46-be6c63da0dfd.jpg&amp;width=120" width="120" height="82" /><media:description type="plain">&lt;p&gt;This Tuesday, March 5, 2013, photo shows words from text messages and emails sent by people who tried to connect through Craigslist's Missed Connections personals in &quot;Missed Connections&quot; as part of  Luke Dubois's installation in &quot;The Public Private&quot; exhibit at the Anna-Maria and Stephen Kellen Gallery in the Sheila C. Johnson Design Center at Parsons The New School for Design in New York.  The exhibit seeks to explore the boundaries and gray areas of online privacy, surveillance and data collection in the age of Facebook and Google. (AP Photo/Kathy Willens)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=c6ab0b8e-9762-4957-9f30-21db43b214df.jpg&amp;width=400" type="image/jpeg" medium="image" height="281" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=c6ab0b8e-9762-4957-9f30-21db43b214df.jpg&amp;width=120" width="120" height="85" /><media:description type="plain">&lt;p&gt;This Tuesday, March 5, 2013, photo,  shows hundreds of images of people's faces taken from Facebook as part of Paolo CirioI's and Alessandro Ludovicoa's mixed media installation in &quot;The Public Private&quot; exhibit at the Anna-Maria and Stephen Kellen Gallery in the Sheila C. Johnson Design Center at Parsons The New School for Design in New York.  The exhibit seeks to explore the boundaries and gray areas of online privacy, surveillance and data collection in the age of Facebook and Google. (AP Photo/Kathy Willens)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=f915cef2-5ac3-4fec-8b2e-c42b3ea1378b.jpg&amp;width=400" type="image/jpeg" medium="image" height="274" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=f915cef2-5ac3-4fec-8b2e-c42b3ea1378b.jpg&amp;width=120" width="120" height="83" /><media:description type="plain">&lt;p&gt;In this Tuesday, March 5, 2013, photo, Students relax beside an image of a young woman taken from &quot;Google Maps,&quot;as  part of &quot;The Public Private&quot; exhibit at the Anna-Maria and Stephen Kellen Gallery in the Sheila C. Johnson Design Center at Parsons The New School for Design, in New York.  The exhibit seeks to explore the boundaries and gray areas of online privacy, surveillance and data collection in the age of Facebook and Google. (AP Photo/Kathy Willens)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=c8c3eb97-3b5f-43f2-902c-259afd43c2f6.jpg&amp;width=400" type="image/jpeg" medium="image" height="252" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=c8c3eb97-3b5f-43f2-902c-259afd43c2f6.jpg&amp;width=120" width="120" height="76" /><media:description type="plain">&lt;p&gt;In this Tuesday, March 5, 2013, photo, an image from Google Maps, is on display in &quot;The Public Private&quot; exhibit at the Anna-Maria and Stephen Kellen Gallery in the Sheila C. Johnson Design Center at Parsons The New School for Design in New York.  The exhibit seeks to explore the boundaries and gray areas of online privacy, surveillance and data collection in the age of Facebook and Google. (AP Photo/Kathy Willens)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=f8574053-6548-4f28-b971-0370dffbf789.jpg&amp;width=400" type="image/jpeg" medium="image" height="281" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=f8574053-6548-4f28-b971-0370dffbf789.jpg&amp;width=120" width="120" height="85" /><media:description type="plain">&lt;p&gt;This Tuesday, March 5, 2013, photo,  shows hundreds of images of people's faces taken from Facebook as part of Paolo CirioI's and Alessandro Ludovicoa's mixed media installation in &quot;The Public Private&quot; exhibit at the Anna-Maria and Stephen Kellen Gallery in the Sheila C. Johnson Design Center at Parsons The New School for Design in New York.  The exhibit seeks to explore the boundaries and gray areas of online privacy, surveillance and data collection in the age of Facebook and Google. (AP Photo/Kathy Willens)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=f39db659-a16c-4cc0-98b8-cef86c9efcd6.jpg&amp;width=400" type="image/jpeg" medium="image" height="181" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=f39db659-a16c-4cc0-98b8-cef86c9efcd6.jpg&amp;width=120" width="120" height="55" /><media:description type="plain">&lt;p&gt;This Tuesday, March 5, 2013, photo shows words from text messages and emails sent by people who tried to connect through Craigslist's Missed Connections personals in &quot;Missed Connections&quot; as part of  Luke Dubois's installation in &quot;The Public Private&quot; exhibit at the Anna-Maria and Stephen Kellen Gallery in the Sheila C. Johnson Design Center at Parsons The New School for Design in New York.  The exhibit seeks to explore the boundaries and gray areas of online privacy, surveillance and data collection in the age of Facebook and Google. (AP Photo/Kathy Willens)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Matisse in Norwegian museum was once Nazi loot</title>
<description><![CDATA[The family of a prominent Parisian art dealer is demanding that a Norwegian museum return an Henri Matisse painting seized by Nazis under the direction of Hermann Goering, in the latest dispute over art stolen from Jews during World War II.]]></description>
<dc:creator><![CDATA[Saleha Mohsin ]]></dc:creator><source><![CDATA[Saleha Mohsin ]]></source><link>http://www.newsvine.com/_news/2013/04/05/17618980-matisse-in-norwegian-museum-was-once-nazi-loot</link><guid>http://www.newsvine.com/_news/2013/04/05/17618980-matisse-in-norwegian-museum-was-once-nazi-loot</guid><category>eu</category><category>art</category><category>europe</category><category>world-war-ii</category><category>world-news</category><category>looted-art</category><category>henri-matisse</category><pubDate>Fri, 5 Apr 2013 19:14:50 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=144c24a9-a406-4931-a9e7-424e39277e5f.jpg&amp;width=400" type="image/jpeg" medium="image" height="329" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=144c24a9-a406-4931-a9e7-424e39277e5f.jpg&amp;width=120" width="120" height="99" /><media:description type="plain">&lt;p&gt;This undated image released by Henie Onstad Kunstsenter on Friday April 5, 2013, shows part of the painting &quot;Blue Dress in an Yellow Arm Chair&quot;, circa 1936 by Henry Matisse. The family of a prominent Parisian art dealer is demanding a Norwegian museum return a Henri Matisse painting seized by Nazis under the direction of Hermann Goering in World War II, in the latest dispute over art stolen from Jews during WWII. The Henie Onstad Art Centre says it does not dispute that Paul Rosenberg once owned the painting but argues it is uncertain whether the family still have rights to the painting, but Art Loss Register, which tracks lost and stolen artworks, Director Chris Marinello slammed the Henie Onstad art museum for stonewalling and said The evidence is overwhelming.....They just dont want to resolve it.&quot; (AP Photo/Oystein Thorvaldsen, Henie-Onstad Art Centre)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=063be384-d83d-42de-942a-01c1b586b5f8.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=063be384-d83d-42de-942a-01c1b586b5f8.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;Marianne Rosenberg, granddaughter of prominent Parisian art dealer Paul Rosenberg, poses for a photo during an interview with The Associated Press, Friday, April 5, 2013, in New York. Paul Rosenberg's family is demanding that a Norwegian museum return an Henri Matisse painting seized by Nazis under the direction of Hermann Goering, in the latest dispute over art stolen from Jews during World War II. The painting at the center of the dispute, Matisse's 1937 &quot;Blue Dress in a Yellow Armchair,&quot; depicts a woman sitting in a living room. It has been among the highlights of the Henie Onstad Art Center near Oslo, Norway, since the museum was established in 1968 through a donation by wealthy art collector Niels Onstad and his wife, Olympic figure-skating champion Sonja Henie. (AP Photo/Mary Altaffer)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=121ae459-bc5e-4c11-8780-236789bad89e.jpg&amp;width=400" type="image/jpeg" medium="image" height="512" width="341" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=121ae459-bc5e-4c11-8780-236789bad89e.jpg&amp;width=120" width="120" height="180" /><media:description type="plain">&lt;p&gt;Marianne Rosenberg, granddaughter of prominent Parisian art dealer Paul Rosenberg, poses for a photo during an interview with The Associated Press, Friday, April 5, 2013, in New York. Paul Rosenberg's family is demanding that a Norwegian museum return an Henri Matisse painting seized by Nazis under the direction of Hermann Goering, in the latest dispute over art stolen from Jews during World War II. The painting at the center of the dispute, Matisse's 1937 &quot;Blue Dress in a Yellow Armchair,&quot; depicts a woman sitting in a living room. It has been among the highlights of the Henie Onstad Art Center near Oslo, Norway, since the museum was established in 1968 through a donation by wealthy art collector Niels Onstad and his wife, Olympic figure-skating champion Sonja Henie. (AP Photo/Mary Altaffer)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>4-decade-old art heist reinvestigated in Florida</title>
<description><![CDATA[On an April evening nearly 44 years ago, just days after Easter Sunday, someone slipped into a museum in Sarasota and stole 15 paintings, one portraying the resurrected Jesus and 14 depicting the Stations of the Cross.]]></description>
<dc:creator><![CDATA[Tamara Lush]]></dc:creator><source><![CDATA[Tamara Lush]]></source><link>http://www.newsvine.com/_news/2013/03/29/17518375-4-decade-old-art-heist-reinvestigated-in-florida</link><guid>http://www.newsvine.com/_news/2013/03/29/17518375-4-decade-old-art-heist-reinvestigated-in-florida</guid><category>us</category><category>art</category><category>stolen</category><category>us-news</category><category>easter</category><category>sarasota-county-sheriff</category><pubDate>Fri, 29 Mar 2013 16:43:10 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=24094607-95e5-49d2-9514-00c79e954fd1.jpg&amp;width=400" type="image/jpeg" medium="image" height="501" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=24094607-95e5-49d2-9514-00c79e954fd1.jpg&amp;width=120" width="120" height="150" /><media:description type="plain">&lt;p&gt;This image provided by the Sarasota County Sheriff's Office shows Benjamin Stahl's painting &quot;Jesus is Condemned To Death,&quot; from his Stations of the Cross series. This and dozens of Stahl's other works were stolen just days after Easter in 1969 from his museum in Sarasota, Fla. The paintings have never been found. Now, a Sarasota County Sheriff's detective is reinvestigating the decades-old disappearance of the art. (AP Photo/Sarasota County Sheriff's Office)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Museum to showcase contemporary Latin American art</title>
<description><![CDATA[Long a cultural backwater, Rio de Janeiro has taken another leap toward becoming an art hot spot with this week's opening of a museum built around one of the world's premier collections of contemporary Latin American art.]]></description>
<dc:creator><![CDATA[Jenny Barchfield]]></dc:creator><source><![CDATA[Jenny Barchfield]]></source><link>http://www.newsvine.com/_news/2013/03/21/17395285-museum-to-showcase-contemporary-latin-american-art</link><guid>http://www.newsvine.com/_news/2013/03/21/17395285-museum-to-showcase-contemporary-latin-american-art</guid><category>brazil</category><category>art</category><category>latin-american</category><category>world-news</category><category>lt</category><category>latin-american-art</category><pubDate>Thu, 21 Mar 2013 06:02:34 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=bb5a8579-0428-4166-8fb3-3c8c24b881a4.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=bb5a8579-0428-4166-8fb3-3c8c24b881a4.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;A sculpture by Maria Fernanda Cardoso titled 'Black Sun' is on display at the Casa Daros museum in Rio de Janeiro, Brazil, Wednesday, March 20, 2013. Local officials aiming to transform Rio de Janeiro from a sleepy cultural backwater into an art hotspot are inaugurating this week Casa Daros, a new museum that draws on one of the world's premier collections of contemporary Latin American art. Casa Daros, a 12,000-square meter (129,000-square foot) exhibition space housed in a renovated 1866 mansion, will bring to Rio some of the around 1,200 pieces acquired over the past 13 years by independently wealthy Zurich-based collector Ruth Schmidheiny. (AP Photo/Felipe Dana)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=90820f13-b51a-43d0-9320-6ef29397fb82.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=90820f13-b51a-43d0-9320-6ef29397fb82.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;A woman looks at a sculpture by Nadin Ospina titled 'Idol with Skull' on exhibit at the Casa Daros museum in Rio de Janeiro, Brazil, Wednesday, March 20, 2013. Local officials aiming to transform Rio de Janeiro from a sleepy cultural backwater into an art hotspot are inaugurating this week Casa Daros, a new museum that draws on one of the world's premier collections of contemporary Latin American art. Casa Daros, a 12,000-square meter (129,000-square foot) exhibition space housed in a renovated 1866 mansion, will bring to Rio some of the around 1,200 pieces acquired over the past 13 years by independently wealthy Zurich-based collector Ruth Schmidheiny. (AP Photo/Felipe Dana)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=c7c50e14-098f-489b-a93a-a25306f50d0e.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=c7c50e14-098f-489b-a93a-a25306f50d0e.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;A cameraman records an installation by Miguel Angel Rojas titled  'Paquita Buys An Ice Cream Cone' at the Casa Daros, museum in Rio de Janeiro, Brazil, Wednesday, March 20, 2013. Local officials aiming to transform Rio de Janeiro from a sleepy cultural backwater into an art hotspot are inaugurating this week Casa Daros, a new museum that draws on one of the world's premier collections of contemporary Latin American art. Casa Daros, a 12,000-square meter (129,000-square foot) exhibition space housed in a renovated 1866 mansion, will bring to Rio some of the around 1,200 pieces acquired over the past 13 years by independently wealthy Zurich-based collector Ruth Schmidheiny. (AP Photo/Felipe Dana)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=a8759107-6f47-4f1f-a4a7-88db1cca22e9.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=a8759107-6f47-4f1f-a4a7-88db1cca22e9.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;A man looks at a photograph by Vik Muniz, titled 'Nossa Senhora das Gracas' at the Casa Daros museum in Rio de Janeiro, Brazil, Wednesday, March 20, 2013. Local officials aiming to transform Rio de Janeiro from a sleepy cultural backwater into an art hotspot are inaugurating this week Casa Daros, a new museum that draws on one of the world's premier collections of contemporary Latin American art. Casa Daros, a 12,000-square meter (129,000-square foot) exhibition space housed in a renovated 1866 mansion, will bring to Rio some of the around 1,200 pieces acquired over the past 13 years by independently wealthy Zurich-based collector Ruth Schmidheiny. (AP Photo/Felipe Dana)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=9ba04769-39fd-4f5d-86be-1dfc28d6c07a.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=9ba04769-39fd-4f5d-86be-1dfc28d6c07a.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;A photographer takes pictures during a media tour in the Casa Daros at the Casa Daros museum in Rio de Janeiro, Brazil, Wednesday, March 20, 2013. Local officials aiming to transform Rio de Janeiro from a sleepy cultural backwater into an art hotspot are inaugurating this week Casa Daros, a new museum that draws on one of the world's premier collections of contemporary Latin American art. Casa Daros, a 12,000-square meter (129,000-square foot) exhibition space housed in a renovated 1866 mansion, will bring to Rio some of the around 1,200 pieces acquired over the past 13 years by independently wealthy Zurich-based collector Ruth Schmidheiny. (AP Photo/Felipe Dana)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=f63c4c83-09e4-4a26-97f5-4751259bfe6f.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=f63c4c83-09e4-4a26-97f5-4751259bfe6f.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;A cameraman records during a media tour at the Casa Daros museum in Rio de Janeiro, Brazil, Wednesday, March 20, 2013. Local officials aiming to transform Rio de Janeiro from a sleepy cultural backwater into an art hotspot are inaugurating this week Casa Daros, a new museum that draws on one of the world's premier collections of contemporary Latin American art. Casa Daros, a 12,000-square meter (129,000-square foot) exhibition space housed in a renovated 1866 mansion, will bring to Rio some of the around 1,200 pieces acquired over the past 13 years by independently wealthy Zurich-based collector Ruth Schmidheiny. (AP Photo/Felipe Dana)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>A look at some major art thefts in recent years</title>
<description><![CDATA[Authorities announced this week that they believe they know who stole 13 pieces of artwork worth as much as $500 million from Boston's Isabella Stewart Gardner Museum in 1990. A look at some of the biggest and most brazen art thefts in recent times:]]></description>
<dc:creator><![CDATA[The Associated Press]]></dc:creator><source><![CDATA[The Associated Press]]></source><link>http://www.newsvine.com/_news/2013/03/19/17375292-a-look-at-some-major-art-thefts-in-recent-years</link><guid>http://www.newsvine.com/_news/2013/03/19/17375292-a-look-at-some-major-art-thefts-in-recent-years</guid><category>us</category><category>art</category><category>mystery</category><category>glance</category><category>heist</category><category>us-news</category><category>isabella-stewart-gardner-museum</category><pubDate>Tue, 19 Mar 2013 21:23:45 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type></item><item><title>American gets back art taken by Nazis during WWII</title>
<description><![CDATA[Tom Selldorff was 6 years old when he saw his grandfather's prized art collection for the last time in 1930s Vienna, before it fell into Nazi hands.]]></description>
<dc:creator><![CDATA[Thomas Adamson]]></dc:creator><source><![CDATA[Thomas Adamson]]></source><link>http://www.newsvine.com/_news/2013/03/19/17372644-american-gets-back-art-taken-by-nazis-during-wwii</link><guid>http://www.newsvine.com/_news/2013/03/19/17372644-american-gets-back-art-taken-by-nazis-during-wwii</guid><category>eu</category><category>france</category><category>art</category><category>nazi</category><category>world-war-ii</category><category>world-news</category><category>tom-selldorff</category><pubDate>Tue, 19 Mar 2013 15:35:53 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=6c90c0f9-107c-4dc0-8376-320700fd376b.jpg&amp;width=400" type="image/jpeg" medium="image" height="272" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=6c90c0f9-107c-4dc0-8376-320700fd376b.jpg&amp;width=120" width="120" height="82" /><media:description type="plain">&lt;p&gt;American Thomas Selldorff, speaks during a ceremony at the Culture Ministry in Paris, France, Tuesday, March 19, 2013, to return seven paintings taken from their Jewish owners during World War II, as part of ongoing efforts to give back hundreds of looted artworks that still hang in the Louvre and other French museums. Selldorff reclaimed six German and Italian paintings that his grandfather, Richard Neumann, was forced to sell during World War II to flee Nazi occupation, and one other painting was returned to other recipients. In the background painting left, Sebastiano Ricci, (Belluno, 1659 - Venice, 1734), Abraham and the three angels, painting right, Gaspare Diziani(Belluno, 1689 - Venice, 1767), Allegory of Venice. Sign in front reads: ceremony of return of seven paintings spoils from the Nazi regime. (AP Photo/Michel Euler) &lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=05b7804e-1ae3-4b38-9652-cec9b598dfd6.jpg&amp;width=400" type="image/jpeg" medium="image" height="278" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=05b7804e-1ae3-4b38-9652-cec9b598dfd6.jpg&amp;width=120" width="120" height="84" /><media:description type="plain">&lt;p&gt;American Thomas Selldorff, left, and Austrian art historian, Sophie Lillie, who helped him to identify the painting, pose for the media during a ceremony at the Culture Ministry in Paris, France, Tuesday, March 19, 2013, to return seven paintings taken from their Jewish owners during World War II, as part of ongoing efforts to give back hundreds of looted artworks that still hang in the Louvre and other French museums. Selldorff reclaimed six German and Italian paintings that his grandfather, Richard Neumann, was forced to sell during World War II to flee Nazi occupation, and another painting was returned to other recipients.  Painting in the background, Alessandro Longhi(Venice, 1733 - Venice, 1813), Portrait of Bartolemeo Ferracina. (AP Photo/Michel Euler)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=55983647-deb5-48f4-b3f6-3165417f20fe.jpg&amp;width=400" type="image/jpeg" medium="image" height="275" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=55983647-deb5-48f4-b3f6-3165417f20fe.jpg&amp;width=120" width="120" height="83" /><media:description type="plain">&lt;p&gt;American Thomas Selldorff, left, listening to France's Culture Minister Aurelie Filippetti, right, during a ceremony at the Culture Ministry in Paris, France, Tuesday, March 19, 2013, to return seven paintings taken from their Jewish owners during World War II, as part of ongoing efforts to give back hundreds of looted artworks that still hang in the Louvre and other French museums. Selldorff reclaimed six German and Italian paintings that his grandfather, Richard Neumann, was forced to sell during World War II to flee Nazi occupation, and another painting was returned to other recipients. In the background are some of the returned paintings. Sign in front reads: Ceremony of return of seven paintings spoils from the Nazi regime.(AP Photo/Michel Euler)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=53f99edc-c182-4339-94ce-af1554f8e671.jpg&amp;width=400" type="image/jpeg" medium="image" height="272" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=53f99edc-c182-4339-94ce-af1554f8e671.jpg&amp;width=120" width="120" height="82" /><media:description type="plain">&lt;p&gt;American Thomas Selldorff, left, and Austrian art historian, Sophie Lillie, who helped him to identify the paintings, pose for the media during a ceremony at the Culture Ministry in Paris, France, Tuesday, March 19, 2013, to return seven paintings taken from their Jewish owners during World War II, as part of ongoing efforts to give back hundreds of looted artworks that still hang in the Louvre and other French museums. Selldorff reclaimed six German and Italian paintings that his grandfather, Richard Neumann, was forced to sell during World War II to flee Nazi occupation, and another painting was returned to other recipients. In the background are some of the returned paintings. (AP Photo/Michel Euler)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=644e9d29-7169-40a3-a2b0-69d51e05695c.jpg&amp;width=400" type="image/jpeg" medium="image" height="305" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=644e9d29-7169-40a3-a2b0-69d51e05695c.jpg&amp;width=120" width="120" height="92" /><media:description type="plain">&lt;p&gt;France's Culture Minister Aurelie Filippetti, and American Thomas Selldorff, right, pose for the media during a ceremony at the Culture Ministry in Paris, France, Tuesday, March 19, 2013, to return seven paintings taken from their Jewish owners during World War II, as part of ongoing efforts to give back hundreds of looted artworks that still hang in the Louvre and other French museums. Selldorff reclaimed six German and Italian paintings that his grandfather, Richard Neumann, was forced to sell during World War II to flee Nazi occupation, and another painting was returned to other recipients.  In the background painting left, Alessandro Longhi(Venice, 1733 - Venice, 1813), Portrait of Bartolemeo Ferracina and painting right, Franz Xaver Karl Palko(Breslau, 1724 - Prague, 1770), Apotheosis of Saint John Nepocucene. (AP Photo/Michel Euler)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Experts: Chances of recovering Boston art good</title>
<description><![CDATA[Now that authorities believe they know who stole $500 million worth of art from Boston's Isabella Stewart Gardner Museum in the largest art heist in U.S. history, what are the chances they'll actually recover the stolen works by Rembrandt, Vermeer and Manet after 23 years?]]></description>
<dc:creator><![CDATA[Denise Lavoie]]></dc:creator><source><![CDATA[Denise Lavoie]]></source><link>http://www.newsvine.com/_news/2013/03/18/17359468-experts-chances-of-recovering-boston-art-good</link><guid>http://www.newsvine.com/_news/2013/03/18/17359468-experts-chances-of-recovering-boston-art-good</guid><category>us</category><category>art</category><category>mystery</category><category>heist</category><category>us-news</category><category>art-heist</category><category>isabella-stewart-gardner-museum</category><pubDate>Mon, 18 Mar 2013 16:53:33 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=5fe11e97-5ab8-471f-810d-d6e854d22a6d.jpg&amp;width=400" type="image/jpeg" medium="image" height="260" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=5fe11e97-5ab8-471f-810d-d6e854d22a6d.jpg&amp;width=120" width="120" height="78" /><media:description type="plain">&lt;p&gt;FILE - In this Thursday, March 11, 2010 file photo, empty frames from which thieves took &quot;Storm on the Sea of Galilee,&quot; left background, by Rembrandt and &quot;The Concert,&quot; right foreground, by Vermeer, remain on display at the Isabella Stewart Gardner Museum in Boston. The paintings are among 13 works stolen by burglars from the museum in the early hours of March 18, 1990. The FBI said Monday, March 18, 2013, it believes it knows the identities of the thieves who stole the art. Richard DesLauriers, the FBI's special agent in charge in Boston, says the thieves belong to a criminal organization based in New England the mid-Atlantic states.  (AP Photo/Josh Reynolds, File)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=70c96876-8683-43e0-9df5-417fad59ebc3.jpg&amp;width=400" type="image/jpeg" medium="image" height="343" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=70c96876-8683-43e0-9df5-417fad59ebc3.jpg&amp;width=120" width="120" height="103" /><media:description type="plain">&lt;p&gt;FILE - In this March 21, 1990 file photo, a security guard stands outside the Dutch Room of the Isabella Stewart Gardner Museum in Boston, where robbers stole more than a dozen works of art by Rembrandt, Vermeer, Degas, Manet and others, in an early morning robbery March 18, 1990. The FBI said Monday, March 18, 2013, it believes it knows the identities of the thieves who stole the art. Richard DesLauriers, the FBI's special agent in charge in Boston, says the thieves belong to a criminal organization based in New England the mid-Atlantic states.  (AP Photo, File)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=9e284dcf-f3ac-471a-8c99-5b0d4fcbea77.jpg&amp;width=400" type="image/jpeg" medium="image" height="261" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=9e284dcf-f3ac-471a-8c99-5b0d4fcbea77.jpg&amp;width=120" width="120" height="79" /><media:description type="plain">&lt;p&gt;FILE - In this Thursday, March 11, 2010 file photo, a plaque marks the empty frame from which thieves cut Rembrandt's &quot;The Storm on the Sea of Galilee,&quot; which remains on display at the Isabella Stewart Gardner Museum in Boston. It is one of 13 works stolen by burglars from the museum in the early hours of March 18, 1990.The FBI said Monday, March 18, 2013, it believes it knows the identities of the thieves who stole the art. Richard DesLauriers, the FBI's special agent in charge in Boston, says the thieves belong to a criminal organization based in New England the mid-Atlantic states.  (AP Photo/Josh Reynolds, File)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=c524e376-c6db-4bf9-a4ab-5521a7301d13.jpg&amp;width=400" type="image/jpeg" medium="image" height="312" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=c524e376-c6db-4bf9-a4ab-5521a7301d13.jpg&amp;width=120" width="120" height="94" /><media:description type="plain">&lt;p&gt;FILE - This undated file photograph released by the Isabella Stewart Gardner Museum shows the painting &quot;Chez Tortoni,&quot; by Manet, one of more than a dozen works of art stolen in the early hours of March 18, 1990. The FBI said Monday, March 18, 2013, it believes they know the identities of the  thieves, belonging to a criminal organization based in New England the mid-Atlantic states. (AP Photo/Isabella Stewart Gardner Museum, File)  NO SALES&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=e156cd8e-caff-4450-99a5-53f69182ded7.jpg&amp;width=400" type="image/jpeg" medium="image" height="502" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=e156cd8e-caff-4450-99a5-53f69182ded7.jpg&amp;width=120" width="120" height="151" /><media:description type="plain">&lt;p&gt;FILE - This undated file photograph released by the Isabella Stewart Gardner Museum shows the painting &quot;The Storm on the Sea of Galilee,&quot; by Rembrandt, one of more than a dozen works of art stolen by burglars in the early hours of March 18, 1990. The FBI said Monday, March 18, 2013, it believes it knows the identities of the thieves who stole the art. Richard DesLauriers, the FBI's special agent in charge in Boston, says the thieves belong to a criminal organization based in New England the mid-Atlantic states.  (AP Photo/Isabella Stewart Gardner Museum, File)  NO SALES&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=7b5a6acb-84a1-4e7a-83a5-1a1c5319f59f.jpg&amp;width=400" type="image/jpeg" medium="image" height="474" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=7b5a6acb-84a1-4e7a-83a5-1a1c5319f59f.jpg&amp;width=120" width="120" height="142" /><media:description type="plain">&lt;p&gt;FILE - This undated file photograph released by the Isabella Stewart Gardner Museum shows the etching &quot;Self-Portrait,&quot; by Rembrandt, one of more than a dozen works of art stolen by burglars in the early hours of March 18, 1990.The FBI said Monday, March 18, 2013, it believes it knows the identities of the thieves who stole the art. Richard DesLauriers, the FBI's special agent in charge in Boston, says the thieves belong to a criminal organization based in New England the mid-Atlantic states.  (AP Photo/Isabella Stewart Gardner Museum, File)   NO SALES&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=9fd44876-76bf-4dbe-a469-4ae9331bca4e.jpg&amp;width=400" type="image/jpeg" medium="image" height="486" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=9fd44876-76bf-4dbe-a469-4ae9331bca4e.jpg&amp;width=120" width="120" height="146" /><media:description type="plain">&lt;p&gt;In this Monday, March 18, 2013 copy photo of a poster provided by the FBI, a likeness of the stolen Rembrandt painting The Storm on the Sea of Galilee is seen at FBI headquarters in Boston. The FBI believes it knows the identities of the thieves who stole art valued at up to $500 million from Boston's Isabella Stewart Gardner Museum more than two decades ago. (AP Photo/FBI)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=35529f55-5df3-40bf-93f6-1008a4e43edd.jpg&amp;width=400" type="image/jpeg" medium="image" height="500" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=35529f55-5df3-40bf-93f6-1008a4e43edd.jpg&amp;width=120" width="120" height="150" /><media:description type="plain">&lt;p&gt;In this Monday, March 18, 2013 copy photo of a poster provided by the FBI, a likeness of the stolen Vermeer painting The Concert is seen at FBI headquarters in Boston. The FBI believes it knows the identities of the thieves who stole art valued at up to $500 million from Boston's Isabella Stewart Gardner Museum more than two decades ago. (AP Photo/FBI)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=124b11df-1e2a-44b6-bd6e-c89b3c0a9184.jpg&amp;width=400" type="image/jpeg" medium="image" height="272" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=124b11df-1e2a-44b6-bd6e-c89b3c0a9184.jpg&amp;width=120" width="120" height="82" /><media:description type="plain">&lt;p&gt;Anthony Amore, chief of security at the Gardner Museum, center, stands next to a poster that shows an image of a Vermeer painting and lists a reward, right, while facing reporters during a news conference at FBI headquarters in Boston, Monday, March 18, 2013. The FBI believes it knows the identities of the thieves who stole art valued at up to $500 million from Boston's Isabella Stewart Gardner Museum more than two decades ago. (AP Photo/Steven Senne)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=bd2ff87e-7346-4563-846c-712ed6367505.jpg&amp;width=400" type="image/jpeg" medium="image" height="277" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=bd2ff87e-7346-4563-846c-712ed6367505.jpg&amp;width=120" width="120" height="83" /><media:description type="plain">&lt;p&gt;Federal Bureau of Investigation (FBI) Special Agent Geoff Kelly, center, looks in the direction of a poster that shows a Vermeer painting and lists a reward, right, after taking questions from reporters during a news conference at FBI headquarters in Boston, Monday, March 18, 2013. The FBI believes it knows the identities of the thieves who stole art valued at up to $500 million from Boston's Isabella Stewart Gardner Museum more than two decades ago. (AP Photo/Steven Senne)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=77add38a-3d39-40b1-aef0-ad306f8f5788.jpg&amp;width=400" type="image/jpeg" medium="image" height="283" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=77add38a-3d39-40b1-aef0-ad306f8f5788.jpg&amp;width=120" width="120" height="85" /><media:description type="plain">&lt;p&gt;Federal Bureau of Investigation (FBI) Special Agent in Charge Richard DesLauriers, right, stands next to a poster that shows a Rembrandt painting and a reward while facing reporters during a news conference at FBI headquarters in Boston, Monday, March 18, 2013. The FBI believes it knows the identities of the thieves who stole art valued at up to $500 million from Boston's Isabella Stewart Gardner Museum more than two decades ago. DesLauriers says the thieves belong to a criminal organization based in New England and the mid-Atlantic states. (AP Photo/Steven Senne)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Germany arrests new suspect in Dutch art heist</title>
<description><![CDATA[German prosecutors said Thursday they arrested a man after he allegedly tried to sell seven paintings taken in a Netherlands heist, including a Picasso and two Monets, back to their Dutch owner.]]></description>
<dc:creator><![CDATA[David Rising]]></dc:creator><source><![CDATA[David Rising]]></source><link>http://www.newsvine.com/_news/2013/03/14/17312550-germany-arrests-new-suspect-in-dutch-art-heist</link><guid>http://www.newsvine.com/_news/2013/03/14/17312550-germany-arrests-new-suspect-in-dutch-art-heist</guid><category>eu</category><category>art</category><category>netherlands</category><category>heist</category><category>world-news</category><pubDate>Thu, 14 Mar 2013 15:48:39 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type></item><item><title>Art found in NY garage appraised at $30M</title>
<description><![CDATA[Works by an obscure Armenian-American abstract impressionist discovered in a New York cottage have been appraised at $30 million.]]></description>
<dc:creator><![CDATA[Associated Press]]></dc:creator><source><![CDATA[Associated Press]]></source><link>http://www.newsvine.com/_news/2013/03/07/17223910-art-found-in-ny-garage-appraised-at-30m</link><guid>http://www.newsvine.com/_news/2013/03/07/17223910-art-found-in-ny-garage-appraised-at-30m</guid><category>us</category><category>art</category><category>new-york</category><category>us-news</category><category>trove</category><category>discovered</category><pubDate>Thu, 7 Mar 2013 14:32:56 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type></item><item><title>Stuttgart museum returns painting sold under Nazis</title>
<description><![CDATA[A Stuttgart museum has returned a 600-year-old painting to the estate of Jewish art dealer Max Stern, who was forced to sell his collection before fleeing Nazi Germany.]]></description>
<dc:creator><![CDATA[Associated Press]]></dc:creator><source><![CDATA[Associated Press]]></source><link>http://www.newsvine.com/_news/2013/03/05/17196272-stuttgart-museum-returns-painting-sold-under-nazis</link><guid>http://www.newsvine.com/_news/2013/03/05/17196272-stuttgart-museum-returns-painting-sold-under-nazis</guid><category>eu</category><category>germany</category><category>art</category><category>nazi-germany</category><category>world-news</category><category>looted</category><pubDate>Tue, 5 Mar 2013 17:34:21 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=ba1032c8-4f2e-452e-aff1-e36bb7f8f10f.jpg&amp;width=400" type="image/jpeg" medium="image" height="512" width="399" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=ba1032c8-4f2e-452e-aff1-e36bb7f8f10f.jpg&amp;width=120" width="120" height="154" /><media:description type="plain">&lt;p&gt;The undated handout shows a reproduction provided Tuesday, March 5, 2013 by the Staatsgalerie Stuttgart of the painting &quot;Virgin with Child&quot;.  The Stuttgart museum has returned a 600-year-old painting to the estate of Jewish art dealer Max Stern, who was forced to sell his collection before fleeing Nazi Germany. The oil painting &quot;The Virgin with Child,&quot; attributed to the Master of Flemaile  an unidentified Flemish artist from the early 1400s  was turned over by Staatsgalerie Stuttgart at a ceremony Tuesday at the Canadian Embassy in Berlin.  (AP Photo/dpa, Staatsgalerie Stuttgart)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>For Belarusian artist, money is art</title>
<description><![CDATA[Art is literally money for Belarusian artist Igor Arinich.]]></description>
<dc:creator><![CDATA[Yuras Karmanau]]></dc:creator><source><![CDATA[Yuras Karmanau]]></source><link>http://www.newsvine.com/_news/2013/02/28/17133829-for-belarusian-artist-money-is-art</link><guid>http://www.newsvine.com/_news/2013/02/28/17133829-for-belarusian-artist-money-is-art</guid><category>eu</category><category>art</category><category>money</category><category>world-news</category><category>belarus</category><category>igor-arinich</category><pubDate>Thu, 28 Feb 2013 17:45:30 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=8e2b0db3-6edc-4782-b850-6f7ad860dfcc.jpg&amp;width=400" type="image/jpeg" medium="image" height="270" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=8e2b0db3-6edc-4782-b850-6f7ad860dfcc.jpg&amp;width=120" width="120" height="81" /><media:description type="plain">&lt;p&gt;In this photo taken Friday, Feb. 8, 2013, Belarusian artist Igor Arinich shows an image made of hundreds of Soviet-era banknotes in Minsk, Belarus. Arinich has used Soviet banknotes which he buys at local flea markets in Belarus for his works. (AP Photo/Sergei Grits)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=47805e2d-4e03-4628-8a47-52e80d4eebf7.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=47805e2d-4e03-4628-8a47-52e80d4eebf7.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;In this photo taken Friday, Feb. 8, 2013, Belarus artist Igor Arinich cuts  a Soviet era banknote while making a piece of art in Minsk, Belarus. Arinich has used Soviet banknotes which he buys at local flea markets in Belarus for his works. (AP Photo/Sergei Grits)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=e225c403-5eb1-4d38-8c9d-4372e712b3dc.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=e225c403-5eb1-4d38-8c9d-4372e712b3dc.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;In this photo taken Friday, Feb. 8, 2013, Belarus artist Igor Arinich creates an image made of hundreds of Soviet-era banknotes in Minsk, Belarus. Arinich has used Soviet banknotes which he buys at local flea markets in Belarus for his works. (AP Photo/Sergei Grits)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=d7b86589-bbac-47eb-92fa-c89c20b1385e.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=d7b86589-bbac-47eb-92fa-c89c20b1385e.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;In this photo taken Friday, Feb. 8, 2013, Belarus artist Igor Arinich cuts a Soviet era banknote while making a piece of art in Minsk, Belarus. Arinich has used Soviet banknotes which he buys at local flea markets in Belarus for his works. (AP Photo/Sergei Grits)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=9bca276f-f848-46e6-a28a-a46e297e6830.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=9bca276f-f848-46e6-a28a-a46e297e6830.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;In this photo taken Friday, Feb. 8, 2013, Belarusian artist Igor Arinich creates an image made of hundreds of Soviet-era banknotes in Minsk, Belarus. Arinich has used Soviet banknotes which he buys at local flea markets in Belarus for his works. (AP Photo/Sergei Grits)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Columbia prof strips, shows 9/11 tape during class</title>
<description><![CDATA[Columbia University says it's reviewing a science class in which a professor stripped to his underwear and showed 9/11 video footage during a lecture on quantum mechanics.]]></description>
<dc:creator><![CDATA[Deepti Hajela]]></dc:creator><source><![CDATA[Deepti Hajela]]></source><link>http://www.newsvine.com/_news/2013/02/19/17022035-columbia-prof-strips-shows-911-tape-during-class</link><guid>http://www.newsvine.com/_news/2013/02/19/17022035-columbia-prof-strips-shows-911-tape-during-class</guid><category>us</category><category>art</category><category>professor</category><category>us-news</category><category>performance</category><category>columbia-university</category><pubDate>Wed, 20 Feb 2013 02:01:42 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type></item><item><title>Modigliani portrait sells for $42M in London</title>
<description><![CDATA[The high-end art market is weathering Europe's economic storm, with London auctions this week netting more than 280 million pounds ($440 million) as international bidders snapped up high-profile works.]]></description>
<dc:creator><![CDATA[Jill Lawless]]></dc:creator><source><![CDATA[Jill Lawless]]></source><link>http://www.newsvine.com/_news/2013/02/07/16882993-modigliani-portrait-sells-for-42m-in-london</link><guid>http://www.newsvine.com/_news/2013/02/07/16882993-modigliani-portrait-sells-for-42m-in-london</guid><category>entertainment</category><category>business</category><category>eu</category><category>britain</category><category>art</category><category>sales</category><pubDate>Thu, 7 Feb 2013 11:15:27 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=8ecef4aa-f4c9-49f7-875f-dbf63d890ab3.jpg&amp;width=400" type="image/jpeg" medium="image" height="280" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=8ecef4aa-f4c9-49f7-875f-dbf63d890ab3.jpg&amp;width=120" width="120" height="84" /><media:description type="plain">&lt;p&gt;Two Sotheby's employees adjust a painting by Pablo Picasso entitled &quot;Femme assise pres d'une fenetre&quot; 1932, at Sotheby's auction house during a press preview in London, Thursday, Jan. 31, 2013. The work is estimated to sell for some 25-35 million pounds (US$ 39.5-55 million, euro 29.1-40.8 million) when sold at auction on Feb. 5, in London. (AP Photo/Alastair Grant)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=c99bc488-6b29-481b-94fc-6fffd5e4d06b.jpg&amp;width=400" type="image/jpeg" medium="image" height="273" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=c99bc488-6b29-481b-94fc-6fffd5e4d06b.jpg&amp;width=120" width="120" height="82" /><media:description type="plain">&lt;p&gt;The gesturing hand of an expert speaking to a group of people is lit by a spotlight illuminating the painting entitled &quot;Jeanne Hebuterne (Au chapeau)&quot; by Italian artist Amedeo Modigliani at Christie's auction house in London, Friday, Feb. 1, 2013. The piece is estimated to fetch between 16 and 22 million pounds ($25.3 to $34.8 million or 18.5 to 25.5 million euro) in the forthcoming Impressionist and Modern Art evening sale in London on February 6.  (AP Photo/Matt Dunham)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>British Museum puts art from the Ice Age on show</title>
<description><![CDATA[The art world loves hype. Works are touted as the biggest, the rarest, the most expensive.]]></description>
<dc:creator><![CDATA[Jill Lawless]]></dc:creator><source><![CDATA[Jill Lawless]]></source><link>http://www.newsvine.com/_news/2013/02/05/16852615-british-museum-puts-art-from-the-ice-age-on-show</link><guid>http://www.newsvine.com/_news/2013/02/05/16852615-british-museum-puts-art-from-the-ice-age-on-show</guid><category>eu</category><category>britain</category><category>art</category><category>age</category><category>world-news</category><category>ice-age-art</category><pubDate>Tue, 5 Feb 2013 14:16:48 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=32239ff4-6daa-4bad-a2f1-8413a288c65b.jpg&amp;width=400" type="image/jpeg" medium="image" height="283" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=32239ff4-6daa-4bad-a2f1-8413a288c65b.jpg&amp;width=120" width="120" height="85" /><media:description type="plain">&lt;p&gt;A sculpture of an adult female bison worked from a large piece of mammoth tusk dates at least 21,000 years old, discovered at Zaraysk, Osetr Valley, Russia, is seen on display in an exhibition 'Ice Age Art : arrival of the modern mind' at the British Museum in London, Tuesday, Feb. 5, 2013. The exhibition present masterpieces create from the last Ice Age between 40,000 and 10,000 years ago, drawn from across Europe, by artists with modern minds and presented alongside modern works  to illustrate the fundamental human desire to communicate and make art as a way of understanding ourselves and our place in the world. (AP Photo/Sang Tan)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=c2778f92-f757-4832-9351-1d4441223b0d.jpg&amp;width=400" type="image/jpeg" medium="image" height="512" width="365" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=c2778f92-f757-4832-9351-1d4441223b0d.jpg&amp;width=120" width="120" height="168" /><media:description type="plain">&lt;p&gt;Backdropped by a reflection of Henri Matisse's 1950 painting 'Grand nu', a sculpture of nude created in baked clay dates from between 31,000 and 27,000 years ago, discovered at Dolni Vestonice, Moravia, Czech Republic is seen on display in an exhibition 'Ice Age Art : arrival of the modern mind' at the British Museum in London, Tuesday, Feb. 5, 2013. The sculpture The exhibition present masterpieces create from the last Ice Age between 40,000 and 10,000 years ago, drawn from across Europe, by artists with modern minds and presented alongside modern works  to illustrate the fundamental human desire to communicate and make art as a way of understanding ourselves and our place in the world. (AP Photo/Sang Tan)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=a0c6770f-f1bb-4230-b308-6b2adb08609a.jpg&amp;width=400" type="image/jpeg" medium="image" height="284" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=a0c6770f-f1bb-4230-b308-6b2adb08609a.jpg&amp;width=120" width="120" height="86" /><media:description type="plain">&lt;p&gt;A mammoth ivory sculpture depicts a man with a lion's head, discovered at Stadel Cave, Baden-Wurttemberg, Germany, dates to around 40,000 years ago is seen on display in an exhibition 'Ice Age Art : arrival of the modern mind' at the British Museum in London, Tuesday, Feb. 5, 2013. The exhibition present masterpieces create from the last Ice Age between 40,000 and 10,000 years ago, drawn from across Europe, by artists with modern minds and presented alongside modern works  to illustrate the fundamental human desire to communicate and make art as a way of understanding ourselves and our place in the world. (AP Photo/Sang Tan)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=4454b7d8-df33-4398-b131-794fca6fe700.jpg&amp;width=400" type="image/jpeg" medium="image" height="276" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=4454b7d8-df33-4398-b131-794fca6fe700.jpg&amp;width=120" width="120" height="83" /><media:description type="plain">&lt;p&gt;A mammoth ivory sculpture depicts a man with a lion's head, discovered at Stadel Cave, Baden-Wurttemberg, Germany, dates to around 40,000 years ago is seen on display in an exhibition 'Ice Age Art : arrival of the modern mind' at the British Museum in London, Tuesday, Feb. 5, 2013. The exhibition presents masterpieces created from the last Ice Age between 40,000 and 10,000 years ago, drawn from across Europe, by artists with modern minds and presented alongside modern works  to illustrate the fundamental human desire to communicate and make art as a way of understanding ourselves and our place in the world. (AP Photo/Sang Tan)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=7327ac6f-109f-4848-a781-19fecbd30a3a.jpg&amp;width=400" type="image/jpeg" medium="image" height="512" width="355" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=7327ac6f-109f-4848-a781-19fecbd30a3a.jpg&amp;width=120" width="120" height="173" /><media:description type="plain">&lt;p&gt;An oldest known portrait of a woman sculptured from mammoth ivory dates at least 27,000 old, discovered at Dolni Vestonice, Moravia, Czech Republic is seen on display in an exhibition 'Ice Age Art : arrival of the modern mind' at the British Museum in London, Tuesday, Feb. 5, 2013. The sculpture The exhibition present masterpieces create from the last Ice Age between 40,000 and 10,000 years ago, drawn from across Europe, by artists with modern minds and presented alongside modern works  to illustrate the fundamental human desire to communicate and make art as a way of understanding ourselves and our place in the world. (AP Photo/Sang Tan)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=92fe7bda-59ef-4b06-a220-69c40274470a.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=92fe7bda-59ef-4b06-a220-69c40274470a.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;Visitors look at sculptures of pregnant women on display in an exhibition 'Ice Age Art : arrival of the modern mind' at the British Museum in London, Tuesday, Feb. 5, 2013. The exhibition present masterpieces create from the last Ice Age between 40,000 and 10,000 years ago, drawn from across Europe, by artists with modern minds and presented alongside modern works  to illustrate the fundamental human desire to communicate and make art as a way of understanding ourselves and our place in the world. (AP Photo/Sang Tan)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=e3c9f418-c709-460f-9f27-d186737036c7.jpg&amp;width=400" type="image/jpeg" medium="image" height="283" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=e3c9f418-c709-460f-9f27-d186737036c7.jpg&amp;width=120" width="120" height="85" /><media:description type="plain">&lt;p&gt;A visitor looks at a small figure of a woman sculptured from mammoth ivory around 23,000 year ago, discovered at Lespugue cave, Haute-Garonne, France, on display in an exhibition 'Ice Age Art : arrival of the modern mind' at the British Museum in London, Tuesday, Feb. 5, 2013. The exhibition present masterpieces create from the last Ice Age between 40,000 and 10,000 years ago, drawn from across Europe, by artists with modern minds and presented alongside modern works  to illustrate the fundamental human desire to communicate and make art as a way of understanding ourselves and our place in the world. (AP Photo/Sang Tan)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=5fc0c048-6e23-461d-881e-34643405daec.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=5fc0c048-6e23-461d-881e-34643405daec.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;An oldest known portrait of a woman, left, a miniature sculptured from mammoth ivory dates at least 27,000 old, and a sketched human face engraved on a flake of mammoth ivory, both discovered at Dolni Vestonice, Moravia, Czech Republic are seen on display in an exhibition 'Ice Age Art : arrival of the modern mind' at the British Museum in London, Tuesday, Feb. 5, 2013. The sculpture The exhibition present masterpieces create from the last Ice Age between 40,000 and 10,000 years ago, drawn from across Europe, by artists with modern minds and presented alongside modern works  to illustrate the fundamental human desire to communicate and make art as a way of understanding ourselves and our place in the world. (AP Photo/Sang Tan)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=6b5f40ae-a29c-41b6-910e-a8abd2eeddeb.jpg&amp;width=400" type="image/jpeg" medium="image" height="285" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=6b5f40ae-a29c-41b6-910e-a8abd2eeddeb.jpg&amp;width=120" width="120" height="86" /><media:description type="plain">&lt;p&gt;A visitor looks at a small male figure sculptured from a large mammoth tusk dates around 27,000 years ago, discovered at Brno, Moravia, Czech Republic next to a skeleton of a man, on display in an exhibition 'Ice Age Art : arrival of the modern mind' at the British Museum in London, Tuesday, Feb. 5, 2013. The exhibition present masterpieces create from the last Ice Age between 40,000 and 10,000 years ago, drawn from across Europe, by artists with modern minds and presented alongside modern works  to illustrate the fundamental human desire to communicate and make art as a way of understanding ourselves and our place in the world. (AP Photo/Sang Tan)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=7faf1948-1faa-4f3f-8e10-4703cd410680.jpg&amp;width=400" type="image/jpeg" medium="image" height="280" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=7faf1948-1faa-4f3f-8e10-4703cd410680.jpg&amp;width=120" width="120" height="84" /><media:description type="plain">&lt;p&gt;A visitor looks at a small sculpture of a nude created in baked clay dates from between 31,000 and 27,000 years ago, discovered at Dolni Vestonice, Moravia, Czech Republic on display in an exhibition 'Ice Age Art : arrival of the modern mind' at the British Museum in London, Tuesday, Feb. 5, 2013. The sculpture The exhibition present masterpieces create from the last Ice Age between 40,000 and 10,000 years ago, drawn from across Europe, by artists with modern minds and presented alongside modern works  to illustrate the fundamental human desire to communicate and make art as a way of understanding ourselves and our place in the world. (AP Photo/Sang Tan)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Interpol: We'll recover art stolen in Dutch heist</title>
<description><![CDATA[The head of Interpol says he believes police will retrieve valuable paintings that were stolen from a museum in the Netherlands last year, including works by Picasso, Monet and Matisse.]]></description>
<dc:creator><![CDATA[Associated Press]]></dc:creator><source><![CDATA[Associated Press]]></source><link>http://www.newsvine.com/_news/2013/01/24/16675200-interpol-well-recover-art-stolen-in-dutch-heist</link><guid>http://www.newsvine.com/_news/2013/01/24/16675200-interpol-well-recover-art-stolen-in-dutch-heist</guid><category>eu</category><category>art</category><category>netherlands</category><category>romania</category><category>heist</category><category>world-news</category><pubDate>Thu, 24 Jan 2013 10:16:28 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type></item><item><title>Rare posters seized by Nazis net $2.5M at NYC sale</title>
<description><![CDATA[A poster collection seized from a Jewish collector by the Nazis and only returned to his descendants in recent years has brought in approximately $2.5 million at a New York auction.]]></description>
<dc:creator><![CDATA[Associated Press]]></dc:creator><source><![CDATA[Associated Press]]></source><link>http://www.newsvine.com/_news/2013/01/23/16668278-rare-posters-seized-by-nazis-net-25m-at-nyc-sale</link><guid>http://www.newsvine.com/_news/2013/01/23/16668278-rare-posters-seized-by-nazis-net-25m-at-nyc-sale</guid><category>us</category><category>germany</category><category>art</category><category>new-york</category><category>us-news</category><category>looted</category><pubDate>Thu, 24 Jan 2013 02:43:46 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type></item><item><title>Lawyer: No proof to charge Romanians for art theft</title>
<description><![CDATA[A lawyer for three Romanians accused of stealing valuable paintings from a museum in the Netherlands insisted Friday there was insufficient evidence to charge them.]]></description>
<dc:creator><![CDATA[Associated Press]]></dc:creator><source><![CDATA[Associated Press]]></source><link>http://www.newsvine.com/_news/2013/01/22/16643747-lawyer-no-proof-to-charge-romanians-for-art-theft</link><guid>http://www.newsvine.com/_news/2013/01/22/16643747-lawyer-no-proof-to-charge-romanians-for-art-theft</guid><category>eu</category><category>art</category><category>netherlands</category><category>heist</category><category>world-news</category><category>art-heist</category><category>netherlands-art</category><pubDate>Tue, 22 Jan 2013 16:50:48 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=f14ba8b1-6aa6-4cd8-86cc-819cfc5a395c.jpg&amp;width=400" type="image/jpeg" medium="image" height="250" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=f14ba8b1-6aa6-4cd8-86cc-819cfc5a395c.jpg&amp;width=120" width="120" height="75" /><media:description type="plain">&lt;p&gt;File -  This photo released by the police in Rotterdam, Netherlands, on Tuesday, Oct. 16, 2012, shows the painting 'Waterloo Bridge, London' by Claude Monet.  Romanian authorities have arrested three suspects in last year's multimillion euro (dollar) theft of paintings by Picasso, Matisse, Monet and others from a Netherlands art gallery, Dutch police said Tuesday, Jan. 22, 2013, but the stolen works have not been recovered. The seven pieces were swiped by thieves in October in a late night raid at the Kunsthal gallery in downtown Rotterdam. It was the biggest art theft in more than a decade in the Netherlands. The stolen works have an estimated value of tens of millions of dollars if they were sold at auction, but art experts said that would be impossible following the theft. (AP Photo / Police Rotterdam, File)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=76b7abd9-09d6-439f-a685-5f786cb222c4.jpg&amp;width=400" type="image/jpeg" medium="image" height="512" width="395" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=76b7abd9-09d6-439f-a685-5f786cb222c4.jpg&amp;width=120" width="120" height="156" /><media:description type="plain">&lt;p&gt;File - This photo released by the police in Rotterdam, Netherlands, on Tuesday, Oct. 16, 2012, shows the 1971 painting 'Harlequin Head' by Pablo Picasso.  Romanian authorities have arrested three suspects in last year's multimillion euro (dollar) theft of paintings by Picasso, Matisse, Monet and others from a Netherlands art gallery, Dutch police said Tuesday, Jan. 22, 2013, but the stolen works have not been recovered. The seven pieces were swiped by thieves in October in a late night raid at the Kunsthal gallery in downtown Rotterdam. It was the biggest art theft in more than a decade in the Netherlands. The stolen works have an estimated value of tens of millions of dollars if they were sold at auction, but art experts said that would be impossible following the theft. (AP Photo / Police Rotterdam, File)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=f7a4a15f-452b-486b-b7dc-5c52d276c8b6.jpg&amp;width=400" type="image/jpeg" medium="image" height="285" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=f7a4a15f-452b-486b-b7dc-5c52d276c8b6.jpg&amp;width=120" width="120" height="86" /><media:description type="plain">&lt;p&gt;Doina Lupu, lawyer of Radu Dogaru and Eugen Darie, not seen, is surrounded by the media in Bucharest, Romania, Friday, Jan. 25, 2013. Lawyers for three Romanians Mihai Alexandru Bitu, Radu Dogaru and Eugen Darie, charged  with stealing valuable paintings from a museum in the Netherlands last year, including works by Picasso, Monet and Matisse say there is insufficient evidence to charge them. (AP Photo/Vadim Ghirda)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=2035a3b1-5809-4312-a6d1-a00fed1c48ab.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=2035a3b1-5809-4312-a6d1-a00fed1c48ab.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;Doina Lupu, lawyer of Radu Dogaru and Eugen Darie, not seen, is surrounded by the  media in Bucharest, Romania, Friday, Jan. 25, 2013. Lawyers for three Romanians Mihai Alexandru Bitu, Radu Dogaru and Eugen Darie, charged  with stealing valuable paintings from a museum in the Netherlands last year, including works by Picasso, Monet and Matisse say there is insufficient evidence to charge them. (AP Photo/Vadim Ghirda)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=0437eeb9-f052-4c1a-af0b-86abca9e7b80.jpg&amp;width=400" type="image/jpeg" medium="image" height="279" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=0437eeb9-f052-4c1a-af0b-86abca9e7b80.jpg&amp;width=120" width="120" height="84" /><media:description type="plain">&lt;p&gt;Daniela Dede, left, lawyer for Mihai Alexandru Bitu, not seen, speaks to media in Bucharest, Romania, Friday, Jan. 25, 2013. Lawyers for three Romanians Mihai Alexandru Bitu, Radu Dogaru and Eugen Darie, charged  with stealing valuable paintings from a museum in the Netherlands last year, including works by Picasso, Monet and Matisse say there is insufficient evidence to charge them. (AP Photo/Vadim Ghirda)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=b30f26a6-b599-4a3d-9183-621bcfb7ee51.jpg&amp;width=400" type="image/jpeg" medium="image" height="284" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=b30f26a6-b599-4a3d-9183-621bcfb7ee51.jpg&amp;width=120" width="120" height="86" /><media:description type="plain">&lt;p&gt;Daniela Dede lawyer for Mihai Alexandru Bitu, not seen, speaks to the media in Bucharest, Romania, Friday, Jan. 25, 2013. Lawyers for three Romanians Mihai Alexandru Bitu, Radu Dogaru and Eugen Darie, charged  with stealing valuable paintings from a museum in the Netherlands last year, including works by Picasso, Monet and Matisse say there is insufficient evidence to charge them. (AP Photo/Vadim Ghirda)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Artist's obsession with Twinkies spans 4 decades</title>
<description><![CDATA[Long before Hostess Brands' plan to shut down made Twinkies the rage, Nancy Peppin found something special about the cream-filled snack cakes.]]></description>
<dc:creator><![CDATA[Martin Griffith]]></dc:creator><source><![CDATA[Martin Griffith]]></source><link>http://www.newsvine.com/_news/2013/01/21/16628859-artists-obsession-with-twinkies-spans-4-decades</link><guid>http://www.newsvine.com/_news/2013/01/21/16628859-artists-obsession-with-twinkies-spans-4-decades</guid><category>us</category><category>art</category><category>odd-news</category><category>us-news</category><category>twinkie</category><category>hostess-brands'</category><category>nancy-peppin</category><pubDate>Mon, 21 Jan 2013 22:23:53 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=ffe77b08-5607-48e3-9742-0bc0b14b02c0.jpg&amp;width=400" type="image/jpeg" medium="image" height="400" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=ffe77b08-5607-48e3-9742-0bc0b14b02c0.jpg&amp;width=120" width="120" height="120" /><media:description type="plain">&lt;p&gt;This undated image shows &quot;Never Forget,'' one of the most recent of dozens of pieces of art Nancy Peppin has created over the years using Twinkies and other Hostess products. A graphic artist by day for slot machine-maker International Game Technology, Peppin doesn't like to eat Twinkies. She uses them to depict popular culture similar to Any Warhol. (AP Photo/Courtesy Nancy Peppin) &lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=de47ec63-ab0b-430c-9134-c594b83916e6.jpg&amp;width=400" type="image/jpeg" medium="image" height="512" width="359" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=de47ec63-ab0b-430c-9134-c594b83916e6.jpg&amp;width=120" width="120" height="171" /><media:description type="plain">&lt;p&gt;In this Dec. 14, 2012, photo, artist Nancy Peppin poses with her artwork titled &quot;The Last Snack,&quot; modeled after Leonardo da Vinci's &quot;The Last Supper,'' one of dozens of pieces of art she has created over the years using Twinkies and other Hostess products, in Reno, Nev. A graphic artist by day for slot machine-maker International Game Technology, Peppin doesn't like to eat Twinkies. She uses them to depict popular culture similar to the work of Andy Warhol. (AP Photo/Scott Sonner)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=93a9fc61-d54f-4cb0-a61e-02a84717bd0f.jpg&amp;width=400" type="image/jpeg" medium="image" height="300" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=93a9fc61-d54f-4cb0-a61e-02a84717bd0f.jpg&amp;width=120" width="120" height="90" /><media:description type="plain">&lt;p&gt;In this Dec. 14, 2012, photo, Artist Nancy Peppin holds one of her creations from her series &quot;Day of the Dead Twinkies&quot; one of dozens of pieces of art she has created over the years using Twinkies and other Hostess products, in Reno, Nev. A graphic artist by day for slot machine-maker International Game Technology, Peppin doesn't like to eat Twinkies. She uses them to depict popular culture similar to the work of Andy Warhol. (AP Photo/Scott Sonner)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=706a1559-e9f7-427d-aa1b-3071265d0f8a.jpg&amp;width=400" type="image/jpeg" medium="image" height="275" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=706a1559-e9f7-427d-aa1b-3071265d0f8a.jpg&amp;width=120" width="120" height="83" /><media:description type="plain">&lt;p&gt;In this Dec. 14, 2012, photo, artist Nancy Peppin poses with her artwork titled ``The Search for the Darwin Twinkie,'' one of dozens of pieces of art she has created over the years using Twinkies and other Hostess products, in Reno, Nev. A graphic artist by day for slot machine-maker International Game Technology, Peppin doesn't like to eat Twinkies. She uses them to depict popular culture similar to the work of Andy Warhol. (AP Photo/Scott Sonner)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=2bfc174c-238e-43a0-88b8-b3acc57c79f8.jpg&amp;width=400" type="image/jpeg" medium="image" height="309" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=2bfc174c-238e-43a0-88b8-b3acc57c79f8.jpg&amp;width=120" width="120" height="93" /><media:description type="plain">&lt;p&gt;This undated image shows artist Nancy Peppin's &quot;The Last Snack,&quot; modeled after Leonardo da Vinci's &quot;The Last Supper,'' one of thedozens of pieces of art Nancy Peppin has created over the years using Twinkies and other Hostess products. A graphic artist by day for slot machine-maker International Game Technology, Peppin doesn't like to eat Twinkies. She uses them to depict popular culture similar to Any Warhol. (AP Photo/Courtesy Nancy Peppin) &lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Poland's National Museum expands modern art wing</title>
<description><![CDATA[Poland's National Museum in Warsaw has opened an expanded gallery devoted to 20th- and 21st-century Polish art, with officials hailing it as the most comprehensive permanent collection of modern and contemporary art in the nation's capital.]]></description>
<dc:creator><![CDATA[Vanessa Gera]]></dc:creator><source><![CDATA[Vanessa Gera]]></source><link>http://www.newsvine.com/_news/2013/01/18/16588315-polands-national-museum-expands-modern-art-wing</link><guid>http://www.newsvine.com/_news/2013/01/18/16588315-polands-national-museum-expands-modern-art-wing</guid><category>eu</category><category>art</category><category>poland</category><category>modern</category><category>world-news</category><category>poland-national-museum</category><pubDate>Fri, 18 Jan 2013 20:18:27 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=b7765efc-9ad4-41ff-972c-134226131ecc.jpg&amp;width=400" type="image/jpeg" medium="image" height="512" width="348" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=b7765efc-9ad4-41ff-972c-134226131ecc.jpg&amp;width=120" width="120" height="177" /><media:description type="plain">&lt;p&gt;Museum goers examine the art at the National Museum in Warsaw, Poland on Friday, Jan. 18, 2013. The museum on Friday opened an expanded gallery devoted to 20th and 21st century Polish art, with officials hailing it as the most comprehensive permanent collection of modern and contemporary art in the nations capital. (AP Photo/Czarek Sokolowski)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=ad6b49a0-2842-4dda-8c8a-642d34f052d3.jpg&amp;width=400" type="image/jpeg" medium="image" height="512" width="349" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=ad6b49a0-2842-4dda-8c8a-642d34f052d3.jpg&amp;width=120" width="120" height="176" /><media:description type="plain">&lt;p&gt;Museum goers examine the art at the National Museum in Warsaw, Poland on Friday, Jan. 18, 2013. The museum on Friday opened an expanded gallery devoted to 20th and 21st century Polish art, with officials hailing it as the most comprehensive permanent collection of modern and contemporary art in the nations capital. (AP Photo/Czarek Sokolowski)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=48fb8509-b6f7-4f4f-9b97-7aec0a43a3b9.jpg&amp;width=400" type="image/jpeg" medium="image" height="213" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=48fb8509-b6f7-4f4f-9b97-7aec0a43a3b9.jpg&amp;width=120" width="120" height="64" /><media:description type="plain">&lt;p&gt;Museum goers examine the art at the National Museum in Warsaw, Poland on Friday, Jan. 18, 2013. The museum on Friday opened an expanded gallery devoted to 20th and 21st century Polish art, with officials hailing it as the most comprehensive permanent collection of modern and contemporary art in the nations capital. (AP Photo/Czarek Sokolowski)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=3aa93596-693d-42cf-ae44-4ccea83b6926.jpg&amp;width=400" type="image/jpeg" medium="image" height="218" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=3aa93596-693d-42cf-ae44-4ccea83b6926.jpg&amp;width=120" width="120" height="66" /><media:description type="plain">&lt;p&gt;Museum goers examine the art at the National Museum in Warsaw, Poland on Friday, Jan. 18, 2013. The museum on Friday opened an expanded gallery devoted to 20th and 21st century Polish art, with officials hailing it as the most comprehensive permanent collection of modern and contemporary art in the nations capital. (AP Photo/Czarek Sokolowski)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=f522050c-1d1e-4de4-b96f-d3b1963304b7.jpg&amp;width=400" type="image/jpeg" medium="image" height="316" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=f522050c-1d1e-4de4-b96f-d3b1963304b7.jpg&amp;width=120" width="120" height="95" /><media:description type="plain">&lt;p&gt;A woman and child look at a sculpture at the National Museum in Warsaw, Poland on Friday, Jan. 18, 2013. The museum on Friday opened an expanded gallery devoted to 20th and 21st century Polish art, with officials hailing it as the most comprehensive permanent collection of modern and contemporary art in the nations capital.(AP Photo/Czarek Sokolowski)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Venezuela art exhibit focuses on Hugo Chavez</title>
<description><![CDATA[A group of Venezuelan artists has contributed paintings of President Hugo Chavez for a new government-organized exhibit dedicated to the ailing leader.]]></description>
<dc:creator><![CDATA[Associated Press]]></dc:creator><source><![CDATA[Associated Press]]></source><link>http://www.newsvine.com/_news/2013/01/17/16570816-venezuela-art-exhibit-focuses-on-hugo-chavez</link><guid>http://www.newsvine.com/_news/2013/01/17/16570816-venezuela-art-exhibit-focuses-on-hugo-chavez</guid><category>art</category><category>venezuela</category><category>chavez</category><category>exhibit</category><category>hugo-chavez</category><category>world-news</category><category>lt</category><pubDate>Thu, 17 Jan 2013 22:17:46 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=b47dd8b8-1f6b-4596-b5e7-c9ee7b2aae44.jpg&amp;width=400" type="image/jpeg" medium="image" height="283" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=b47dd8b8-1f6b-4596-b5e7-c9ee7b2aae44.jpg&amp;width=120" width="120" height="85" /><media:description type="plain">&lt;p&gt;* CORRECTS TITLE OF EXHIBIT * A visitor poses for a picture next to a painting of Venezuela's President Hugo Chavez at the art exhibit titled &quot;Chavez Vive y Vencera&quot; or Chavez Lives and Will Prevail, displaying more than 20 paintings of the South American leader, in Caracas, Venezuela, Thursday, Jan. 17, 2013. Normally at the center of national attention, Chavez is so ill following a fourth cancer surgery in Cuba that some Venezuelans have begun speculating about whether his cancer could force him from office and require a new presidential election. (AP Photo/Fernando Llano)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=717f9305-7ef4-417b-8dc4-cca72f658006.jpg&amp;width=400" type="image/jpeg" medium="image" height="501" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=717f9305-7ef4-417b-8dc4-cca72f658006.jpg&amp;width=120" width="120" height="150" /><media:description type="plain">&lt;p&gt;*CORRECTS TITLE OF EXHIBIT* Students lie down on a gallery floor to take photos of the ornate ceiling during their visit to the art exhibit titled &quot;Chavez Vive y Vencera&quot; or Chavez Lives and Will Prevail, displaying more than 20 paintings of the Venezuela's President Hugo Chavez, in Caracas, Venezuela, Thursday, Jan. 17, 2013. Normally at the center of national attention, Chavez is so ill following a fourth cancer surgery in Cuba that some Venezuelans have begun speculating about whether his cancer could force him from office and require a new presidential election. (AP Photo/Fernando Llano)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=877f66bc-8689-4b32-8c63-697424164a83.jpg&amp;width=400" type="image/jpeg" medium="image" height="251" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=877f66bc-8689-4b32-8c63-697424164a83.jpg&amp;width=120" width="120" height="76" /><media:description type="plain">&lt;p&gt;A visitor looks at a painting of Venezuela's President Hugo Chavez at the art exhibit titled, &quot;Chavez Vive y Vencera&quot; or Chavez Lives and Will Prevail, displaying more than 20 paintings of the South American leader, in Caracas, Venezuela, Thursday, Jan. 17, 2013. Normally at the center of national attention, Chavez is so ill following a fourth cancer surgery in Cuba that some Venezuelans have begun speculating about whether his cancer could force him from office and require a new presidential election. (AP Photo/Fernando Llano)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=bd61add6-9ac2-4baf-aa25-7acbc8f4f6a9.jpg&amp;width=400" type="image/jpeg" medium="image" height="259" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=bd61add6-9ac2-4baf-aa25-7acbc8f4f6a9.jpg&amp;width=120" width="120" height="78" /><media:description type="plain">&lt;p&gt;Visitors read an artwork label next to a painting of Venezuela's President Hugo Chavez at the art exhibit titled, &quot;Chavez Vive y Vencera&quot; or Chavez Lives and Will Prevail, displaying more than 20 paintings of the South American leader, in Caracas, Venezuela, Thursday, Jan. 17, 2013. Normally at the center of national attention, Chavez is so ill following a fourth cancer surgery in Cuba that some Venezuelans have begun speculating about whether his cancer could force him from office and require a new presidential election. (AP Photo/Fernando Llano)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>AP Interview: Posters seized by Nazis being sold</title>
<description><![CDATA[Seized by the Nazis in 1938 from a Jewish man on the orders of Hitler's Propaganda Minister Joseph Goebbels, then held behind the Iron Curtain in Communist East Berlin, thousands of rare posters are finally back in the hands of collector Hans Sachs' family.]]></description>
<dc:creator><![CDATA[David Rising]]></dc:creator><source><![CDATA[David Rising]]></source><link>http://www.newsvine.com/_news/2013/01/17/16565809-ap-interview-posters-seized-by-nazis-being-sold</link><guid>http://www.newsvine.com/_news/2013/01/17/16565809-ap-interview-posters-seized-by-nazis-being-sold</guid><category>eu</category><category>us</category><category>germany</category><category>art</category><category>world-news</category><category>iron-curtain</category><category>looted</category><category>hans-sachs'</category><pubDate>Thu, 17 Jan 2013 15:44:19 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=c65e0111-aaf2-4d83-9d99-aa2f4a961dad.jpg&amp;width=400" type="image/jpeg" medium="image" height="275" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=c65e0111-aaf2-4d83-9d99-aa2f4a961dad.jpg&amp;width=120" width="120" height="83" /><media:description type="plain">&lt;p&gt;FILE - In this May 16, 2006 file photo Peter Sachs holds up a book with some of his father, Hans Sachs' favorite posters at his home in Sarasota, Fla.  Seized by the Nazis in 1938 from a Jewish man on the orders of Hitlers Propaganda Minister Joseph Goebbels, then held behind the Iron Curtain in Communist East Berlin, thousands of rare posters are finally back in the hands of collector Hans Sachs' family. After a seven-year battle for their return from a German museum where they ended up after the fall of the Berlin Wall, almost entirely tucked away in storage, Sachs' heir,  told The Associated Press he hopes auctioning off the majority of the posters will mean they will finally be on display for those who love them like his father did, after he failed to find a museum willing to take the whole collection on. (AP Photo/Chris O'Meara,File)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Chinese painter portrays Tibet self-immolators</title>
<description><![CDATA[Beijing-based artist Liu Yi is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects &#8212; men and women, young and old, smiling and pensive &#8212; have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule.]]></description>
<dc:creator><![CDATA[Gillian Wong]]></dc:creator><source><![CDATA[Gillian Wong]]></source><link>http://www.newsvine.com/_news/2013/01/12/16474619-chinese-painter-portrays-tibet-self-immolators</link><guid>http://www.newsvine.com/_news/2013/01/12/16474619-chinese-painter-portrays-tibet-self-immolators</guid><category>china</category><category>art</category><category>world-news</category><category>as</category><category>tibet</category><category>as-china</category><category>immolation</category><category>liu-yi</category><pubDate>Sat, 12 Jan 2013 07:12:10 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=9c3b40b4-89ad-4763-80dd-be247d1766bc.jpg&amp;width=400" type="image/jpeg" medium="image" height="273" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=9c3b40b4-89ad-4763-80dd-be247d1766bc.jpg&amp;width=120" width="120" height="82" /><media:description type="plain">&lt;p&gt;In this photo taken on Tuesday, Dec. 25, 2012, portraits of Tibetans who have self-immolated over the past three years painted by Beijing-based artist Liu Yi are displayed at his studio in Songzhuang art village in Tongzhou, on the outskirt of Beijing. Liu is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects - men and women, young and old, smiling and pensive - have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule. (AP Photo/Andy Wong)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=08983d17-f610-4b55-8a71-8f18b82533f2.jpg&amp;width=400" type="image/jpeg" medium="image" height="279" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=08983d17-f610-4b55-8a71-8f18b82533f2.jpg&amp;width=120" width="120" height="84" /><media:description type="plain">&lt;p&gt;In this photo taken on Tuesday, Dec. 25, 2012, Beijing-based artist Liu Yi casts his shadow on his painting of portraits of Tibetans who have self-immolated over the past three years as he works at his studio in Songzhuang art village in Tongzhou, on the outskirt of Beijing. Liu is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects - men and women, young and old, smiling and pensive - have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule. (AP Photo/Andy Wong)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=60a9e0d6-4862-41ab-8b24-f1d86fb937ee.jpg&amp;width=400" type="image/jpeg" medium="image" height="279" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=60a9e0d6-4862-41ab-8b24-f1d86fb937ee.jpg&amp;width=120" width="120" height="84" /><media:description type="plain">&lt;p&gt;In this photo taken on Tuesday, Dec. 25, 2012, Beijing-based artist Liu Yi pauses in front of his painting of Tibetans at his studio in Songzhuang art village in Tongzhou, on the outskirt of Beijing. Liu is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects - men and women, young and old, smiling and pensive - have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule. (AP Photo/Andy Wong)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=26aa43b6-2a44-4c81-8dd0-e0cd4e2bfdbf.jpg&amp;width=400" type="image/jpeg" medium="image" height="286" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=26aa43b6-2a44-4c81-8dd0-e0cd4e2bfdbf.jpg&amp;width=120" width="120" height="86" /><media:description type="plain">&lt;p&gt;In this photo taken on Tuesday, Dec. 25, 2012, Beijing-based artist Liu Yi paints a portrait of a Tibetan who have self-immolated over the past three years, at his studio in Songzhuang art village in Tongzhou, on the outskirt of Beijing. Liu is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects - men and women, young and old, smiling and pensive - have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule. (AP Photo/Andy Wong)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=21375cec-bdfe-47d2-907f-b6ebbf1f6d92.jpg&amp;width=400" type="image/jpeg" medium="image" height="284" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=21375cec-bdfe-47d2-907f-b6ebbf1f6d92.jpg&amp;width=120" width="120" height="86" /><media:description type="plain">&lt;p&gt;In this photo taken on Tuesday, Dec. 25, 2012, Beijing-based artist Liu Yi prepares to work near his paintings of portraits of Tibetans, who have self-immolated over the past three years, on display at his studio in Songzhuang art village in Tongzhou, on the outskirt of Beijing. Liu is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects - men and women, young and old, smiling and pensive - have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule. (AP Photo/Andy Wong)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=09761c54-10b1-4fd9-93ca-a0dc3bed856f.jpg&amp;width=400" type="image/jpeg" medium="image" height="279" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=09761c54-10b1-4fd9-93ca-a0dc3bed856f.jpg&amp;width=120" width="120" height="84" /><media:description type="plain">&lt;p&gt;In this photo taken on Tuesday, Dec. 25, 2012, Beijing-based artist Liu Yi paints a portrait of a Tibetan who have self-immolated over the past three years, at his studio in Songzhuang art village in Tongzhou, on the outskirt of Beijing. Liu is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects - men and women, young and old, smiling and pensive - have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule. (AP Photo/Andy Wong)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=a5abe53f-50f7-41f0-a0da-7db248beda8c.jpg&amp;width=400" type="image/jpeg" medium="image" height="278" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=a5abe53f-50f7-41f0-a0da-7db248beda8c.jpg&amp;width=120" width="120" height="84" /><media:description type="plain">&lt;p&gt;In this photo taken on Tuesday, Dec. 25, 2012, Beijing-based artist Liu Yi looks at his works of portraits of Tibetans who have self-immolated over the past three years, at his studio in Songzhuang art village in Tongzhou, on the outskirt of Beijing. Liu is working on a series of black-and-white portraits he knows will never be shown in a Chinese gallery. His varied subjects - men and women, young and old, smiling and pensive - have one thing in common: They are Tibetans who have set themselves on fire to protest repressive Chinese rule. (AP Photo/Andy Wong)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>NYC artists seek help to scrub away Sandy's stains</title>
<description><![CDATA[Superstorm Sandy was not kind to the arts community. It not only upended paintings, equipment, tools and paper, turning them into tangled and soggy heaps, but also the livelihoods of hundreds of artists who have helped make the New York area a dynamic art capital.]]></description>
<dc:creator><![CDATA[Ula Ilnytzky]]></dc:creator><source><![CDATA[Ula Ilnytzky]]></source><link>http://www.newsvine.com/_news/2012/12/14/15898607-nyc-artists-seek-help-to-scrub-away-sandys-stains</link><guid>http://www.newsvine.com/_news/2012/12/14/15898607-nyc-artists-seek-help-to-scrub-away-sandys-stains</guid><category>us</category><category>art</category><category>new-york</category><category>us-news</category><category>flooded</category><category>superstorm</category><category>superstorm-sandy</category><pubDate>Fri, 14 Dec 2012 07:31:31 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=f74564e4-0ba5-4d8c-979a-c434643a3d53.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=f74564e4-0ba5-4d8c-979a-c434643a3d53.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;This Dec. 3, 2012, photo provided by Craft Emergency Relief Fund  (CERF+) Craig Nutt, left, of CERF+ is shown a damaged furnace at Pier Glass in the Red Hook neighborhood of Brooklyn, New York by artists Kevin Kutch and Kevin Scanlan, right. Scanlan is describing their attempt to dry out the furnace, which was inundated with salt water from Superstorm Sandy. (AP Photo/CERF+, George Hirose)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=2061999c-38a6-435d-abce-2422d6beded2.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=2061999c-38a6-435d-abce-2422d6beded2.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;This Dec. 3, 2012, photo provided by Craft Emergency Relief Fund  (CERF+) Craig Nutt,far  left, of CERF+ talks to three artists at Pier Glass in the Red Hook neighborhood of Brooklyn, New York, from left, Kevin Kutch, Alison Ruzsa and Mary Ellen Buxton-Kutch.  Pier Glass received a $3,000 grant from CERF. After beig nundated with salt water from Superstorm Sandy, the studio estimates the damage at up to $200,000. They received a $3,000 grant from CERF+.   (AP Photo/CERF+, George Hirose)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=eb281751-def6-42c2-b06d-1263b7e3548d.jpg&amp;width=400" type="image/jpeg" medium="image" height="300" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=eb281751-def6-42c2-b06d-1263b7e3548d.jpg&amp;width=120" width="120" height="90" /><media:description type="plain">&lt;p&gt;This Nov. 29, 2012 photo provided by Pier Glass shows the dammage, and the flood line on the wall at Pier Glass in Red Hook, Brooklyn, New York. It is among hundreds of galleries, art studios and artists facing tens of thousands of dollars in repair and renovation from the damaging force of the Oct. 29 superstorm, Sandy.  (AP Photo/Pier Glass, Mary Ellen Buxton-Kutch)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=ae8a4865-324f-465c-bd7f-8d43e0bb0cdc.jpg&amp;width=400" type="image/jpeg" medium="image" height="512" width="374" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=ae8a4865-324f-465c-bd7f-8d43e0bb0cdc.jpg&amp;width=120" width="120" height="164" /><media:description type="plain">&lt;p&gt;John Gordon Gauld, an artist who lost paintings during superstorm Sandy, moves a painting out of his Red Hook studio on Monday, Dec. 3, 2012 in New York.  (AP Photo/Bebeto Matthews)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=8f54c63a-4066-4b51-b57c-6758b964fe22.jpg&amp;width=400" type="image/jpeg" medium="image" height="264" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=8f54c63a-4066-4b51-b57c-6758b964fe22.jpg&amp;width=120" width="120" height="79" /><media:description type="plain">&lt;p&gt;John Gordon Gauld, an artist who lost paintings during superstorm Sandy, moves a painting out of his Red Hook studio on Monday, Dec. 3, 2012 in New York.  (AP Photo/Bebeto Matthews)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=4f2c9160-a6c2-48a5-b3fd-93631f417730.jpg&amp;width=400" type="image/jpeg" medium="image" height="266" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=4f2c9160-a6c2-48a5-b3fd-93631f417730.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;Coke Wisdom O'Neal, an artist who photographs is creations, walks through the basement of his Red Hook studio that was damaged in Superstorm Sandy, Monday, Dec. 3, 2012 in New York.  (AP Photo/Bebeto Matthews)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Banned 50 years ago, exhibition reopens in Moscow</title>
<description><![CDATA[Better known in the West for promising to "bury" the capitalist world, Soviet leader Nikita Khruschev is also remembered by Russians for banning works that didn't conform to the Communist Party's notion that art should be straightforward, realistic and appeal to workers and peasants.]]></description>
<dc:creator><![CDATA[Mansur Mirovalev]]></dc:creator><source><![CDATA[Mansur Mirovalev]]></source><link>http://www.newsvine.com/_news/2012/12/06/15721143-banned-50-years-ago-exhibition-reopens-in-moscow</link><guid>http://www.newsvine.com/_news/2012/12/06/15721143-banned-50-years-ago-exhibition-reopens-in-moscow</guid><category>entertainment</category><category>eu</category><category>russia</category><category>art</category><category>banned</category><category>communist-party</category><category>world-news</category><category>nikita-khruschev</category><pubDate>Thu, 6 Dec 2012 09:27:07 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=888d93a0-d858-4ef8-833e-b8581f62bd28.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=888d93a0-d858-4ef8-833e-b8581f62bd28.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;In this photo taken on Thursday, Dec. 5, 2012, artist Leonid Rabichev stands near the entrance to an exhibition at Moscow's Manezh hall on Wednesday, Russia.  The 89-year-old Rabichev was one of the artists whose works were banned by Soviet leader Nikita Khruschev after an exhibition in  the Manezh hall  in December 1962. Fifty years later, some of the banned canvases are on display again at the same Manezh hall &amp;#8212; at a time when critics compare Khruschev's ban to recent charges against the Pussy Riot band and artists whose paintings have angered the Kremlin and Russias dominant Orthodox Church. (AP Photo/Alexander Zemlianichenko)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=cd6a4fe3-7df8-4659-8784-8a0f5d5c6e26.jpg&amp;width=400" type="image/jpeg" medium="image" height="512" width="393" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=cd6a4fe3-7df8-4659-8784-8a0f5d5c6e26.jpg&amp;width=120" width="120" height="156" /><media:description type="plain">&lt;p&gt;In this photo taken on Thursday, Dec. 5, 2012, artist Inna Shmelyova shows a booklet with her works at the opening of an exhibition at Moscow's Manezh hall , Russia. Shmelyova was one of the artists whose works were banned by Soviet leader Nikita Khruschev at a similar 1962 exhibition at the Manezh hall.  Fifty years later, some of the banned canvases are on display again at the same Manezh hall &amp;#8212; at a time when critics compare Khruschev's ban to recent charges against the Pussy Riot band and artists whose paintings have angered the Kremlin and Russias dominant Orthodox Church. (AP Photo/Alexander Zemlianichenko)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=ef8265ac-075f-4521-bbd2-8a0e4a4ebdaf.jpg&amp;width=400" type="image/jpeg" medium="image" height="267" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=ef8265ac-075f-4521-bbd2-8a0e4a4ebdaf.jpg&amp;width=120" width="120" height="80" /><media:description type="plain">&lt;p&gt;In this photo taken on Thursday, Dec. 5, 2012, visitors look at canvases banned in 1962 by Soviet leader Nikita Khruschev and now exhibited at Moscow's Manezh hall, Russia. Fifty years later, some of the banned canvases are on display again at the same Manezh hall, at a time when critics compare Khruschev's ban to recent charges against the Pussy Riot band and artists whose paintings have angered the Kremlin and Russias dominant Orthodox Church. (AP Photo/Alexander Zemlianichenko)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=4bfae854-a542-4a9b-8f79-8ab348f84ca7.jpg&amp;width=400" type="image/jpeg" medium="image" height="254" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=4bfae854-a542-4a9b-8f79-8ab348f84ca7.jpg&amp;width=120" width="120" height="77" /><media:description type="plain">&lt;p&gt;In this photo taken on Thursday, Dec. 5, 2012, artist Inna Shmelyova, second right, speaks to a visitor at the opening of an exhibition at Moscow's Manezh hall , Russia. Shmelyova was one of the artists whose works were banned by Soviet leader Nikita Khruschev at a similar 1962 exhibition at the Manezh hall. Fifty years later, some of the banned canvases are on display again at the same Manezh hall &amp;#8212; at a time when critics compare Khruschev's ban to recent charges against the Pussy Riot band and artists whose paintings have angered the Kremlin and Russias dominant Orthodox Church.(AP Photo/Alexander Zemlianichenko)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item><item><title>Smithsonian gathers best art of Civil War era</title>
<description><![CDATA[Paintings and photographs depicting the raw reality of the Civil War marked a major change in American art that tossed out romantic notions of war.]]></description>
<dc:creator><![CDATA[Brett Zongker]]></dc:creator><source><![CDATA[Brett Zongker]]></source><link>http://www.newsvine.com/_news/2012/11/23/15390668-smithsonian-gathers-best-art-of-civil-war-era</link><guid>http://www.newsvine.com/_news/2012/11/23/15390668-smithsonian-gathers-best-art-of-civil-war-era</guid><category>us</category><category>art</category><category>politics</category><category>war</category><category>civil-war</category><pubDate>Fri, 23 Nov 2012 18:23:46 +0000</pubDate><activity:verb>http://activitystrea.ms/schema/1.0/post</activity:verb><activity:object-type>http://activitystrea.ms/schema/1.0/generic_post</activity:object-type><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=5c761af9-f76c-44db-a791-cbc1157a4bab.jpg&amp;width=400" type="image/jpeg" medium="image" height="310" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=5c761af9-f76c-44db-a791-cbc1157a4bab.jpg&amp;width=120" width="120" height="93" /><media:description type="plain">&lt;p&gt;This undated handout image provided by the Smithsonian American Art Museum Eastman Johnson's 1859 oil on linen, &quot;Negro Life at the South,&quot; part of a major exhibition on how artists represented the war and how the war changed art. It's on view in Washington through April and then moves to New York's Metropolitan Museum of Art. (AP Photo/Smithsonian American Art Museum)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content><media:content url="http://m.static.newsvine.com/servista/imagesizer?file=4de1f3a4-bee6-4728-a3fd-a95867121cfb.jpg&amp;width=400" type="image/jpeg" medium="image" height="261" width="400" ><media:thumbnail url="http://m.static.newsvine.com/servista/imagesizer?file=4de1f3a4-bee6-4728-a3fd-a95867121cfb.jpg&amp;width=120" width="120" height="79" /><media:description type="plain">&lt;p&gt;This undated handout image provided by the Smithsonian American Art Museum shows Frederic Edwin Church's, 1861 oil on paper, &quot;Our Banner in the Sky,&quot; part of a major exhibition on how artists represented the war and how the war changed art. It's on view in Washington through April and then moves to New York's Metropolitan Museum of Art. (AP Photo/Smithsonian American Art Museum)&lt;/p&gt;</media:description><media:credit role="owner" scheme="urn:yvs"></media:credit></media:content></item></channel></rss>