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Writers Strike Sends Shows Into Reruns

Mon Nov 5, 2007 9:36 AM EST
us-news, business, entertainment, hollywood, labor, today-show, tonight-show, jay-leno"
Karen Matthews, Associated Press
< PreviousNext >
showing 1 of 14 photos
<p>People load picket signs into vans at the Writers Guild of America headquarters Sunday, Nov. 4, 2007, in Los Angeles. Hollywood writers were back at the bargaining table Sunday in a last-minute push to avoid a strike against TV networks and movie studios over writers' share of profits from DVDs and the Internet.  (AP Photo/Ric Francis)</p>

People load picket signs into vans at the Writers Guild of America headquarters Sunday, Nov. 4, 2007, in Los Angeles. Hollywood writers were back at the bargaining table Sunday in a last-minute push to avoid a strike against TV networks and movie studios over writers' share of profits from DVDs and the Internet. (AP Photo/Ric Francis)

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LOS ANGELES — Americans may be getting more sleep after Hollywood writers went on strike Monday and forced the nation's late-night talk shows to start airing reruns.

NBC said the "The Tonight Show with Jay Leno" will immediately air repeats.

Still, Leno made an appearance at the Burbank studio, arriving on a motorcycle to visit strikers walking a picket line.

CBS said "The Late Show with David Letterman" will also offer repeats all week. The list of casualties included every other major late-night show.

The first strike by Hollywood writers in nearly 20 years got under way with noisy pickets on both coasts after last-minute negotiations on Sunday failed to produce a deal on payments to writers from shows offered on the Internet.

No new negotiations were scheduled, although the Writers Guild of America negotiating committee was set to meet Monday afternoon.

Nick Counter, chief negotiator for the Alliance of Motion Picture and Television Producers, said he expected a long standoff.

"We're hunkered down for a long one," he said. "From our standpoint, we made every good faith effort to negotiate a deal and they went on strike. At some point, conversations will take place. But not now."

The strike will not immediately impact production of movies or prime-time TV programs. Most studios have stockpiled dozens of movie scripts, and TV shows have enough scripts or completed shows in hand to last until early next year.

Disruptions by strikers ended filming at a Studio City cafe being used as a location for the CBS show "Cane."

Tom Hogan, a location manager for the show, said he had hired two off-duty Los Angeles police officers in addition to five private security guards to maintain order during the shoot.

He said the filming began hours before the 20 pickets arrived and involved a script that was finished several weeks ago.

No other major problems were reported at studios or filming locations.

At the CBS lot in Studio City, about 40 people hoisted signs and applauded when picketing began.

Robert Port, a writer for the TV show "Numb3rs," said he was as ready as possible for what could be a long walkout.

"We live in Los Angeles, your bank account can never really be ready for this," he said.

Only about half of the pickets wore their official red strike T-shirts.

"Writers aren't the easiest cats to corral," said Don McGill, another writer for "Numb3rs."

The first noisy strikers appeared outside the "Today" show set at Rockefeller Center in New York, where NBC is headquartered. The show is not directly affected by the strike because news writers are part of a different union.

A giant, inflated rat was displayed, as about 40 people shouted, "No contract, no shows!"

"They claim that the new media is still too new to structure a model for compensation," said Jose Arroyo, a writer for "Late Night with Conan O'Brien."

"We say give us a percentage so if they make money, we make money," Arroyo said.

Starting TV writers earn about $70,000 per season for full-time work on a show. Veteran writers who move up to a story-editor position make at least a low six-figure salary, with a "written by" credit on an hourlong script paying an additional $30,000 plus residuals.

Diana Son, a writer for "Law & Order: Criminal Intent," said she has three children and getting residuals was the only way she could take time off after giving birth.

"It's an extremely volatile industry," Son said. "There's no job security. Residuals are an important part of our income. There's no cushion."

Millie Kapzen of Memphis, Tenn., who watched the New York pickets from across the street, said she was "disgusted. ... I really think they should try harder to negotiate."

Kapzen said she sells advertising for radio stations. "We've already had cancellations of sweeps weeks ads" by the networks, she said.

Writers have not gone on strike since 1988, when the walkout lasted 22 weeks and cost the industry more than $500 million.

The battle has broad implications for the way Hollywood does business, since whatever deal is struck by writers will likely be used as a template for talks with actors and directors, whose contracts expire next June.

Talks began in July and continued after the writers contract expired last Wednesday.

Producers said writers were not willing to compromise on major issues.

Writers said they withdrew a proposal to increase their share of revenue from the sale of DVDs that had been a stumbling block for producers.

They also said proposals by producers in the area of Internet reuse of TV episodes and films were unacceptable.

In Los Angeles, writers planned to picket 14 studio locations in four-hour shifts from 9 a.m. to 5 p.m. each day until a new deal is reached.

Networks said other late-night show bound for reruns included "The Daily Show," "Colbert Report," "Late Late Show with Craig Ferguson," "Late Night with Conan O'Brien," "Jimmy Kimmel Live!" and "Last Call with Carson Daly."

Ellen DeGeneres was a no-show Monday for filming of her daytime talk show on NBC.

"Ellen did not go to work today in support of her writers," said Kelly Bush, her publicist.

New episodes of "The Ellen DeGeneres Show" that were filmed before the strike were set to air Monday and Tuesday. But it was unclear what might happen with the show later in the week, Bush said.

"Dancing With the Stars," one of the country's highest-rated prime-time shows, would air as planned on Monday, ABC said.

One key factor that could determine the damage caused by the strike is whether members of a powerful Hollywood Teamsters local honor the picket lines.

Local 399, which represents truck drivers, casting directors and location managers, had told its members that as a union, it has a legal obligation to honor its contracts with producers.

But the clause does not apply to individuals.

Steve Dayan, business agent of the local, said Monday he had heard of no problems on the picket lines involving his members.

He did not know if members were honoring the lines or crossing them.

"Our members have a choice whether they want to honor it or not," Dayan said. "I'm sure there are people honoring and some that are crossing. It's their individual right."

___

Associated Press writers Karen Matthews and Frazier Moore in New York, and Sandy Cohen, Beth Harris and Solvej Schou in Los Angeles contributed to this report. Raquel Maria Dillon also contributed.

© 2007 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
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  • Public Discussion (17)
skipfarstrider

I'm actually just fine with this. I admittedly don't much like television in general outside sports for which this has no effect unless they get rid of that godawful show business crap polluting SportsCenter these days, which would be entirely beneficial. But since they mention that newswriting is different, probably no such luck.

In any case most network television isn't worth the time spent watching it, it's not terribly original these days except for a few rare gems. Maybe the writers in this off time could pick up some ideas, they need it.

  • 3 votes
Reply#1 - Mon Nov 5, 2007 11:16 AM EST
atvance

I'm all for the strike. Writers aren't being fairly compensated for DVD sales and internet sales/rebroadcasts.

SNL did a nice piece on Weekend Update about the looming strike this weekend.

Millie Kapzen of Memphis, Tenn., who watched the New York pickets from across the street, said she was "disgusted. ... I really think they should try harder to negotiate."

Try harder?

Talks began in July and continued after the contract expired Wednesday. Writers and producers gathered for last-minute negotiations Sunday at the request of a federal mediator.

They've been negoatating since July and past when their current contract expired? How many of those who complain about the writers striking would be willing to give up some of their rightful income and work without a contract? I'm guessing not many.

The public just wants their mass media diet and doesn't care how they get it. Heroes, Grey's Anatomy, and Lost won't be on the air in February? That's not the fault of the writers, its the studio heads.

The only bad side of the strike: more reality TV and more To Catch a Predator.

  • 2 votes
Reply#2 - Mon Nov 5, 2007 1:40 PM EST
will.c

The article continues that Kapzen sells advertising on radio, so she has a vested interest in the strike coming to an end soon... rendering her opinion pretty irrelevent.

  • 1 vote
#2.1 - Mon Nov 5, 2007 1:59 PM EST
KyleN

How many of those who complain about the writers striking would be willing to give up some of their rightful income and work without a contract?

There are many people who don't work under a contract. I'm not a fan of organized extortion and I negotiate my own employment deals. If you need a threat to settle what is rightful then well maybe you are wrong in the definition.

  • 2 votes
#2.2 - Mon Nov 5, 2007 4:46 PM EST
atvance

The article continues that Kapzen sells advertising on radio, so she has a vested interest in the strike coming to an end soon... rendering her opinion pretty irrelevent.

Which is true, but I've heard several folks at work and at the coffee shop down the street essentially voicing the same opinion and I guess it just struck a nerve.

  • 1 vote
#2.3 - Mon Nov 5, 2007 5:15 PM EST
atvance

There are many people who don't work under a contract. I'm not a fan of organized extortion and I negotiate my own employment deals. If you need a threat to settle what is rightful then well maybe you are wrong in the definition.

I guess I should disclaim ahead of time that I am a member of a union, though not the WGA.

My rent-paying job doesn't operate under a contract. I negotated my own terms for the position, though because there is no contract those terms can change at almost any moment and the details of my job can shift. I happen to know my employer won't do this, but the "threat" as you put it is still there.

My union work does operate under a contract, several in fact depending upon where I'm working and what exactly I'm doing. These are contracts offer me a better pay scale, better working conditions, and better benefits than if I had negotiated them on my own. It also ensures that there's a certain minimum skill set involved for the workers and ensures that there are adequate people around to do the job that is required, all things that I could not negotiate on my own.

I don't think that workers striking is extortion anymore than an employer refusing to give a pay increases is extortion. The writers have chosen to be represented by a union and that union negotiates on their behalf. They have the right to strike just as the studios have the right not to give them what they want. Both sides can halt negotiations. Just because the writers chose to strike does not mean they're the bad guys or they're the greedy ones. Yes, they're negotiating to get themselves the best compensation package they can, but the studios are also negotiating to give them as little as they can.

What were the writers supposed to do? [Since they are unionized and they do operate under contracts, can we stay away from the what-ifs about union vs. non-union in their place?] The content providers [broadcast/cable channels and movie studios] have expanded into revenue producing areas that weren't available [the internet and online video streaming] or as widespread [TV shows on DVD] when the last contract was negotiated. The writers, seeing the increased profits that the network is receiving from using their labor in new ways, want to be compensated for the increased use of their work product in these revenue streams.

  • 1 vote
#2.4 - Mon Nov 5, 2007 5:54 PM EST
KyleN

All the things a union can negotiate, so to can any person. The difference is the ability to cause mass damage to a business or a group of people. A union is created by convincing the most productive people to help the least productive people maintain equality in their pay scales. It's not about ensuring work conditions or the other things often touted. What a union does is change what is important in the employment relationship away from productivity and usually to seniority. Those most hurt by unions aren't the business owners but rather the best employees.

What were the writers supposed to do considering they agreed to a union in advance? Well I guess what they are doing, confrontation and no work. I wouldn't say that is the only way, It's always possible to quit using an idea with such bad side effects, today is as good as any other day and better than most considering the contract is expired anyway.

  • 1 vote
#2.5 - Mon Nov 5, 2007 6:38 PM EST
atvance

It's not about ensuring work conditions or the other things often touted.

Really? Because without my union, I could be asked to work for 16 hours straight without meal breaks or extra compensation and my only choice would be to do it or not get paid. Without my union, the lower skilled, untrained workers would be getting all the work because they'll work for a lower wage.

What were the writers supposed to do considering they agreed to a union in advance? Well I guess what they are doing, confrontation and no work

What about the studios? Can they do no wrong? Obviously everything they offered was completely fair or else they wouldn't have offered it. There's two sides to the coin. The writers are striking, but they didn't come to that end all by themselves.

  • 1 vote
#2.6 - Tue Nov 6, 2007 1:42 PM EST
KyleN

You could be asked to do that which you do not want to, and you could say no thanks. They could take less skilled workers for less money and if they get the results desired then good for them. So what?

If it takes a union to force business to purchase your skills, they aren't of great value obviously. I do not worry about lower skilled workers taking my job because I provide sufficient productivity for my employer. If they find somebody who can give them better value than me, oh well. It's happened and I raised my skill set to compensate. It's amazing how well you can get by when you have an honest and non-confrontational relationship with your employer. They respect what I do and I respect them and we all do just fine and I don't need to threaten them to gain that respect instead I worked and earned it.

Can the studios do no wrong? Of course if they don't get the shows made then they aren't accomplishing much. It was made into a fight and so what are you going to get a fight, big surprise there. So both sides now get to be nasty and try to exploit the other and why not the union made them enemies.

  • 1 vote
#2.7 - Tue Nov 6, 2007 2:54 PM EST
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