Ukrainian museum claims it owns a Titian portrait

The director of a Ukrainian museum claimed Tuesday that a portrait of a Venetian Doge in its collection is a work of Titian, even as an expert warned that art historians are best placed to make that call.

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Titian masterpiece acquired by British galleries

Two national galleries said Monday they raised 50 million pounds ($70 million) after a public appeal to keep Titian's 16th century masterpiece "Diana and Actaeon" on display in Britain.

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Duke offers British public a bargain masterpiece

A British aristocrat is offering two public art galleries a 50 million-pound (US$92 million) bargain — a Renaissance painting by the Italian artist Titian that has been on display in Britain for 200 years but now could be sold overseas.

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The age of renaissance painter Titian has caused a minor political storm in Westminster – after the Conservatives admitted one of their staff had altered the artist's entry on Wikipedia.

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TRIUMPHANT gallery chiefs confirmed yesterday they had found £50 million to save Titian's Diana and Actaeon for the nation, but they now face the daunting prospect of raising another £50 million for its sister painting in the midst of a deepening recession.

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Titian's Renaissance masterpiece Diana and Actaeon has gone on show at the National Gallery in London to help accelerate a campaign to keep it in Britain. The London public has just four weeks to view the painting, which is on loan from the National Gallery of Scotland.

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A grant of £1m has kick-started a campaign to keep Titian masterpiece Diana and Actaeon on public display. The donation is the largest towards saving an individual work in the Art Fund charity's 105-year history.

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Seduction on a grand scale Titian: 'Bacchus and Ariadne', 1520-3, National Gallery, London

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THE centrepiece collection of the National Galleries of Scotland could be broken up unless it can raise £100 million to buy two Old Master paintings.

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A forgotten masterpiece may have surfaced at a Leicestershire auction house after being mistaken for a copy. Gilding's of Market Harborough described the painting of a black clad man as "18th century continental school" with an estimate of £300-£500.

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